Liam Everett

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Liam Everett
Untitled (Fonó), 2014
Acrylic, enamel, alcohol, and salt on oil primed linen
261.6 x 195.6 cm
103 x 77 in
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Liam Everett
Untitled (Bakháza), 2014
Acrylic, enamel, alcohol, and salt on oil primed linen
261.6 x 195.6 cm
103 x 77 in
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Liam Everett
Untitled (Iharos), 2014
Acrylic, enamel, alcohol, and salt on oil primed linen
261.6 x 195.6 cm
103 x 77 in
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Liam Everett
Untitled (Beleg), 2014
Acrylic, enamel, alcohol, and salt on oil primed linen
261.6 x 195.6 cm
103 x 77 in
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Liam Everett
Untitled (Ádánd), 2014
Acrylic, enamel, alcohol, and salt on oil primed linen
261.6 x 195.6 cm
103 x 77 in
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Liam Everett
Untitled (Eulalia), 2014
Acrylic, enamel, alcohol, and salt on oil primed linen
195.6 x 137.2 cm
77 x 54 in
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Liam Everett
Untitled (Nuxibuxbaase awadee), 2013
Acrylic, salt and alcohol on oil primed linen
195.6 x 137.2 cm
77 x 54 in
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Liam Everett
Untitled (Keadeen), 2013
Acrylic, salt and alcohol on oil primed linen
195.6 x 137.2 cm
77 x 54 in
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Liam Everett
Untitled, 2013
Acrylic, salt and alcohol on primed linen
195.58 x 137.8 cm
77 x 54 1/4 in
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Liam Everett
Untitled, 2013
Acrylic, salt and alcohol on primed linen
195.58 x 137.8 cm
77 x 54 1/4 in
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Liam Everett
Untitled, 2013
Acrylic, ink, salt, alcohol and lemon on wool
62 1/4 x 40 1/2 in
158.12 x 102.87 cm
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Liam Everett
Untitled, 2013
Ink, acrylic, alcohol, discharger and salt on silk
62 1/2 x 40 1/2 in
158.75 x 102.87 cm
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Liam Everett
Untitled, 2013
Ink, acrylic, alcohol, discharger and salt on silk
62 1/2 x 40 1/2 in
158.75 x 102.87 cm
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Liam Everett
Untitled, 2013
Acrylic, ink, salt, alcohol, burlap
60 x 40 1/2 in
152.4 x 102.87 cm
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Liam Everett
Untitled, 2013
Ink, acrylic, alcohol, discharger and salt on linen
158.75 x 102.87 cm
62 1/2 x 40 1/2 in
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Liste 18
Basel, Switzerland
Installation view
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Liam Everett
Mood brings one to its there, alongside and upon, 2012
Ink, acrylic, alcohol, sea salt on flannel over wooden stretchers
95 1/2 x 23 3/4 in
242.57 x 60.33 cm
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Liam Everett
Being towards the end, near and remote, 2012
Ink, acrylic, alcohol, sea salt on burlap over wooden stretchers
245.11 x 60.96 cm
96 1/2 x 24 in
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Liam Everett
If I could sleep I might make love. I'd go into the woods. My eyes would see...
the sky, the earth. I'd run, run, they wouldn't catch me. November 1, 2012 - January 5, 2013
Altman Siegel, San Francisco
Installation view
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Liam Everett
Untitled, 2013
Acrylic, ink, salt and alcohol on maple panel with artist-made frame
43.18 x 33.66 cm
17 x 13 1/4 in
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Liam Everett
Untitled, 2013
Acrylic, ink, salt and alcohol on maple panel with artist-made frame
16 3/4 x 13 in 42.55 x 33.02 cm
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Liam Everett
Untitled, 2012
Ink, acrylic, alcohol and sea salt on two wood panels
60.96 x 45.72 cm
24 x 18 in
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Liam Everett
If I could sleep I might make love. I'd go into the woods. My eyes would see...
the sky, the earth. I'd run, run, they wouldn't catch me.
November 1, 2012 - January 5, 2013
Altman Siegel, San Francisco
Installation view
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Liam Everett
The remains of gardening plans, gathered to ensure the space necessary for the event characterized by an uncertain departure, 2012
Ink, acrylic, alcohol, sea salt on organza with wooden beams, ceramic, cotton, and wooden dowel
243.84 x 96.52 cm
96 x 38 in
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Liam Everett
If I could sleep I might make love. I'd go into the woods. My eyes would see...
the sky, the earth. I'd run, run, they wouldn't catch me.
November 1, 2012 - January 5, 2013
Altman Siegel, San Francisco
Installation view
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Liam Everett
The threshold question that arises in connection with the concept of establishing a language without the problem of speaking, 2012
Ink, acrylic, alcohol, sea salt on wool with wooden beams
243.84 x 96.52 cm
96 x 38 in
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Liam Everett
Always inside a world where the light discloses the structure that shows us the 'movement' of always falling, 2012
Ink, acrylic, alcohol, sea salt on organza with wooden beams, ceramic, cotton, and wooden dowel
243.84 x 96.52 cm
96 x 38 in
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Liam Everett
Happy days (in the beginning), 2012
Ink, acrylic, alcohol, sea salt, lemon extract on wool and silk, ceramic disc, wood base
213.36 x 152.4 x 81.28 cm
84 x 60 x 32 in
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Liam Everett
"K," curated by Juan Gáitan
Wattis Institute, San Francisco
Installation view
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