Liam Everett

Liam Everett
Fais semblant qu'on n'est pas ici, 2018
Installation view
Altman Siegel, San Francisco
Liam Everett
Fais semblant qu'on n'est pas ici, 2018
Installation view
Altman Siegel, San Francisco
Liam Everett
Fais semblant qu'on n'est pas ici, 2018
Installation view
Altman Siegel, San Francisco
Liam Everett
The SECA Art Award, 2017
Installation view
San Francisco Museum of Modern Art
Liam Everett
The SECA Art Award, 2017
Installation view
San Francisco Museum of Modern Art
Liam Everett
Untitled (me sugarplum please), 2017
Oil, acrylic, ink, alcohol, salt on linen
195.6 x 138.4 cm
77 x 54 1/2 in
Liam Everett
Untitled (Lotus sister) , 2017
Oil, acrylic, ink, alcohol, salt on linen
243.8 x 198.1 cm
96 x 78 in
Liam Everett
Untitled (Spanish Key), 2017
Oil, acrylic, ink, alcohol, salt on linen
195.6 x 138.4 cm
77 x 54 1/2 in
Liam Everett
Untitled (Low mound), 2017
acrylic, enamel, salt and alcohol on vinyl mounted on wood panel
40.6 x 30.5 cm
16 x 12 in
Liam Everett
The Elephant Calf, 2016
Installation view
Altman Siegel, San Francisco
Liam Everett
The Elephant Calf, 2016
Installation view
Altman Siegel, San Francisco
Liam Everett
Untitled (Tikal), 2016
Acrylic, enamel, alcohol, and salt on oil primed linen
222.3 x 186.7 cm
87 1/2 x 73 1/2 in
Liam Everett
Untitled (Nakbe), 2016
Acrylic, enamel, alcohol, and salt on oil primed linen
195.6 x 143.5 cm
77 x 56 1/2 in
Liam Everett
Untitled (Bakavu), 2015
Acrylic, enamel, alcohol, and salt on oil primed linen
233.7 x 195.6 cm
92 x 77 in
Liam Everett
Untitled (Aketi), 2015
Acrylic, enamel, alcohol, and salt on oil primed linen
195.6 x 144.8 cm
77 x 57 in
Liam Everett
Untitled (Chandpur), 2015
Acrylic, enamel, alcohol, and salt on oil primed linen
195.6 x 132.1 cm
77 x 52 in
Liam Everett
Untitled (Chaumuhani), 2015
Acrylic, enamel, alcohol, and salt on oil primed linen
195.6 x 144.8 cm
77 x 57 in
Liam Everett
Untitled (Connacht), 2014
Acrylic, enamel, alcohol, and salt on oil primed linen
261.6 x 195.6 cm
103 x 77 in
Liam Everett
Untitled (Kumamoto), 2014
Acrylic, enamel, alcohol, and salt on oil primed linen
195.6 x 304.8 cm
77 x 120 in
Liam Everett
Untitled (Fonó), 2014
Acrylic, enamel, alcohol, and salt on oil primed linen
261.6 x 195.6 cm
103 x 77 in
Liam Everett
Untitled (Bakháza), 2014
Acrylic, enamel, alcohol, and salt on oil primed linen
261.6 x 195.6 cm
103 x 77 in
Liam Everett
Untitled (Iharos), 2014
Acrylic, enamel, alcohol, and salt on oil primed linen
261.6 x 195.6 cm
103 x 77 in
Liam Everett
Untitled (Beleg), 2014
Acrylic, enamel, alcohol, and salt on oil primed linen
261.6 x 195.6 cm
103 x 77 in
Liam Everett
Untitled (Ádánd), 2014
Acrylic, enamel, alcohol, and salt on oil primed linen
261.6 x 195.6 cm
103 x 77 in
Liam Everett
Untitled (Eulalia), 2014
Acrylic, enamel, alcohol, and salt on oil primed linen
195.6 x 137.2 cm
77 x 54 in
Liam Everett
Untitled (Nuxibuxbaase awadee), 2013
Acrylic, salt and alcohol on oil primed linen
195.6 x 137.2 cm
77 x 54 in
Liam Everett
Untitled (Keadeen), 2013
Acrylic, salt and alcohol on oil primed linen
195.6 x 137.2 cm
77 x 54 in
Liam Everett
Untitled, 2013
Acrylic, salt and alcohol on primed linen
195.58 x 137.8 cm
77 x 54 1/4 in
Liam Everett
Untitled, 2013
Acrylic, salt and alcohol on primed linen
195.58 x 137.8 cm
77 x 54 1/4 in
Liam Everett
Untitled, 2013
Acrylic, ink, salt, alcohol and lemon on wool
62 1/4 x 40 1/2 in
158.12 x 102.87 cm
Liam Everett
Untitled, 2013
Ink, acrylic, alcohol, discharger and salt on silk
62 1/2 x 40 1/2 in
158.75 x 102.87 cm
Liam Everett
Untitled, 2013
Ink, acrylic, alcohol, discharger and salt on silk
62 1/2 x 40 1/2 in
158.75 x 102.87 cm
Liam Everett
Untitled, 2013
Acrylic, ink, salt, alcohol, burlap
60 x 40 1/2 in
152.4 x 102.87 cm
Liam Everett
Untitled, 2013
Ink, acrylic, alcohol, discharger and salt on linen
158.75 x 102.87 cm
62 1/2 x 40 1/2 in
Liste 18
Basel, Switzerland
Installation view
Liam Everett
Mood brings one to its there, alongside and upon, 2012
Ink, acrylic, alcohol, sea salt on flannel over wooden stretchers
95 1/2 x 23 3/4 in
242.57 x 60.33 cm
Liam Everett
Being towards the end, near and remote, 2012
Ink, acrylic, alcohol, sea salt on burlap over wooden stretchers
245.11 x 60.96 cm
96 1/2 x 24 in
Liam Everett
If I could sleep I might make love. I'd go into the woods. My eyes would see...
the sky, the earth. I'd run, run, they wouldn't catch me. November 1, 2012 - January 5, 2013
Altman Siegel, San Francisco
Installation view
Liam Everett
Untitled, 2013
Acrylic, ink, salt and alcohol on maple panel with artist-made frame
43.18 x 33.66 cm
17 x 13 1/4 in
Liam Everett
Untitled, 2013
Acrylic, ink, salt and alcohol on maple panel with artist-made frame
16 3/4 x 13 in 42.55 x 33.02 cm
Liam Everett
Untitled, 2012
Ink, acrylic, alcohol and sea salt on two wood panels
60.96 x 45.72 cm
24 x 18 in
Liam Everett
If I could sleep I might make love. I'd go into the woods. My eyes would see...
the sky, the earth. I'd run, run, they wouldn't catch me.
November 1, 2012 - January 5, 2013
Altman Siegel, San Francisco
Installation view
Liam Everett
The remains of gardening plans, gathered to ensure the space necessary for the event characterized by an uncertain departure, 2012
Ink, acrylic, alcohol, sea salt on organza with wooden beams, ceramic, cotton, and wooden dowel
243.84 x 96.52 cm
96 x 38 in
Liam Everett
If I could sleep I might make love. I'd go into the woods. My eyes would see...
the sky, the earth. I'd run, run, they wouldn't catch me.
November 1, 2012 - January 5, 2013
Altman Siegel, San Francisco
Installation view
Liam Everett
The threshold question that arises in connection with the concept of establishing a language without the problem of speaking, 2012
Ink, acrylic, alcohol, sea salt on wool with wooden beams
243.84 x 96.52 cm
96 x 38 in
Liam Everett
Always inside a world where the light discloses the structure that shows us the 'movement' of always falling, 2012
Ink, acrylic, alcohol, sea salt on organza with wooden beams, ceramic, cotton, and wooden dowel
243.84 x 96.52 cm
96 x 38 in
Liam Everett
Happy days (in the beginning), 2012
Ink, acrylic, alcohol, sea salt, lemon extract on wool and silk, ceramic disc, wood base
213.36 x 152.4 x 81.28 cm
84 x 60 x 32 in
Liam Everett
"K," curated by Juan Gáitan
Wattis Institute, San Francisco
Installation view
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