From Counterculture to Cyberculture
curated by David Lewis
Lucy Dodd, Alex Mackin Dolan, Dawn Kasper, Israel Lund,
Jared Madere, K.r.m. Mooney, Trevor Paglen, Sean Paul and Bruce Conner
July 7 – August 26, 2017
From Counterculture to Cyberculture, 2017
Installation view
From Counterculture to Cyberculture, 2017
Installation view
Sean Paul
Doomsday Watch, 1974; 2017
Ultraviolet-curable pigmented ink and acrylic on polyester/polymide
88.9 x 47 cm
35 x 18 1/2 in
From Counterculture to Cyberculture, 2017
Installation view
Jared Madere
To be titled (Matter Harmonic Topiary), 2016/2017
Glyph: nail polish, glitter, ink, burns on paper
Sculpture: sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt
Glyph: 33 x 22.9 cm, 13 x 9 in
Sculpture: 120 x 120 x 12inches (dimensions variable with each manifestation)
Jared Madere
To be titled (Matter Harmonic Topiary), 2016/2017
Glyph: nail polish, glitter, ink, burns on paper
Sculpture: sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt
Glyph: 33 x 22.9 cm, 13 x 9 in
Sculpture: 120 x 120 x 12inches (dimensions variable with each manifestation)
Jared Madere
detail of To be titled (Matter Harmonic Topiary), 2016/2017
Glyph: nail polish, glitter, ink, burns on paper
Sculpture: sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt
Glyph: 33 x 22.9 cm, 13 x 9 in
Sculpture: 120 x 120 x 12inches (dimensions variable with each manifestation)
Jared Madere
detail of To be titled (Matter Harmonic Topiary), 2016/2017
Glyph: nail polish, glitter, ink, burns on paper
Sculpture: sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt
Glyph: 33 x 22.9 cm, 13 x 9 in
Sculpture: 120 x 120 x 12inches (dimensions variable with each manifestation)
Jared Madere
To be titled (Matter Harmonic Topiary), 2016/2017
Glyph: nail polish, glitter, ink, burns on paper
Sculpture: sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt
Glyph: 33 x 22.9 cm, 13 x 9 in
Sculpture: 120 x 120 x 12inches (dimensions variable with each manifestation)
Bruce Conner
Christ Casting Out the Legion of Devils, 1987/2003
Belgian jacquard tapestry
264.2 x 292.1 cm
104 x 115 in
From Counterculture to Cyberculture, 2017
Installation view
Lucy Dodd
Lady Long Gone, 2016
Dye on cotton on metal chair frame
86.4 x 91.4 x 91.4 cm
34 x 36 x 36 in
From Counterculture to Cyberculture, 2017
Installation view
Lucy Dodd
Beyond Blind (1981 1⁄2), 2013
Foss leaf extract, sumac extract, black lichen, yerba maté, graphite, Bub's urine,
anatto, and mixed pigments on canvas
297.2 x 297.2 cm
117 x 117 in
Dawn Kasper
UH yes, UH no, 2014/2017
Mackie active speaker, ipod shuffle, snare drum, stand, bells, incense
91.4 x 40.6 x 40.6 cm
36 x 16 x 16 in
Dawn Kasper
detail of UH yes, UH no, 2014/2017
Mackie active speaker, ipod shuffle, snare drum, stand, bells, incense
91.4 x 40.6 x 40.6 cm
36 x 16 x 16 in
From Counterculture to Cyberculture, 2017
Installation view
Israel Lund
Untitled, 2017
Acrylic on raw canvas
223.5 x 172.7 cm
88 x 68 in
From Counterculture to Cyberculture, 2017
Installation view
From Counterculture to Cyberculture, 2017
Installation view
From Counterculture to Cyberculture, 2017
Installation view
K.r.m. Mooney
Joan Green, Bimetal IV, 2017
steel conduit, linear fluorescent, polyurethane fitting, electrical splicing ribbon, fluval tank heater,
cast lavender, silver, steel binding wire
284.5 x 30.5 x 30.5 cm
112 x 12 x 12 in
K.r.m. Mooney
detail of Joan Green, Bimetal IV, 2017
steel conduit, linear fluorescent, polyurethane fitting, electrical splicing ribbon, fluval tank heater,
cast lavender, silver, steel binding wire
284.5 x 30.5 x 30.5 cm
112 x 12 x 12 in
Alex Mackin Dolan
Korut Courtyard Cabinet (Bad R.N.G. TWIN Version), 2017
Wood, synthetic polymer paint, plexiglass, archival inkjet prints
137.2 x 78.1 x 22.9 cm
54 x 30 3/4 x 9 1/8 in
From Counterculture to Cyberculture, 2017
Installation view
Sean Paul
Dawn, 0.053 SEC., 2017
Ultraviolet-curable pigmented ink and acrylic on polyester/polymide
152.4 x 289.6 cm
60 x 114 in
From Counterculture to Cyberculture, 2017
Installation view
Trevor Paglen
The Last Pictures (Construction of Hoover Dam; The Wow! Signal), 2012
Two gelatin silver prints
60.96 x 81.28 cm
24 x 32 in
Trevor Paglen
The Last Pictures (Construction of Hoover Dam; The Wow! Signal), 2012
Two gelatin silver prints
60.96 x 81.28 cm
24 x 32 in
Dawn Kasper
UH, YES UH, NO, 2014
Oil on canvas
322.6 x 261.6 cm
127 x 103 in
From Counterculture to Cyberculture, 2017
Installation view
Bruce Conner
Untitled, 1975
Oil on canvas
50.8 x 50.8 cm
20 x 20 in
Bruce Conner
Untitled, 1975
Oil on canvas
50.8 x 50.8 cm
20 x 20 in
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