This exhibition is inspired by, and named in honor of, Fred Turner's important history, From Counterculture to Cyberculture.
The exhibition is not, however, a literal history. Rather: it extrapolates from Turner's historical arc in order to present a matrix of contemporary concerns, and emerging artists whose ways of thinking are enmeshed in those concerns. From Turner's research it develops a historical conceit for art-making in the present. A web of possibilities.
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From Counterculture to Cyberculture, 2017
Installation view -
Sean Paul
Doomsday Watch, 1974; 2017
Ultraviolet-curable pigmented ink and acrylic on polyester/polymide35 x 18 1/2 in
88.9 x 47 cm -
From Counterculture to Cyberculture, 2017
Installation view -
Jared Madere
To be titled (Matter Harmonic Topiary), 2016/2017
Glyph: nail polish, glitter, ink, burns on paper
Sculpture: sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt
Glyph: 13 x 9 in
33 x 22.9 cm
Sculpture: 120 x 120 x 12 in
304.8 x 304.8 x 30.5 cm (dimensions variable with each manifestation) -
Jared Madere
To be titled (Matter Harmonic Topiary), 2016/2017
Glyph: nail polish, glitter, ink, burns on paper
Sculpture: sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt
Glyph: 13 x 9 in
33 x 22.9 cm
Sculpture: 120 x 120 x 12 in
304.8 x 304.8 x 30.5 cm (dimensions variable with each manifestation) -
Jared Madere
To be titled (Matter Harmonic Topiary) (detail), 2016/2017
Glyph: nail polish, glitter, ink, burns on paper
Sculpture: sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt
Glyph: 13 x 9 in
33 x 22.9 cm
Sculpture: 120 x 120 x 12 in
304.8 x 304.8 x 30.5 cm (dimensions variable with each manifestation) -
Jared Madere
To be titled (Matter Harmonic Topiary) (detail), 2016/2017
Glyph: nail polish, glitter, ink, burns on paper
Sculpture: sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt
Glyph: 13 x 9 in
33 x 22.9 cm
Sculpture: 120 x 120 x 12 in
304.8 x 304.8 x 30.5 cm (dimensions variable with each manifestation) -
Jared Madere
To be titled (Matter Harmonic Topiary), 2016/2017
Glyph: nail polish, glitter, ink, burns on paper
Sculpture: sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt
Glyph: 13 x 9 in
33 x 22.9 cm
Sculpture: 120 x 120 x 12 in
304.8 x 304.8 x 30.5 cm (dimensions variable with each manifestation) -
Bruce Conner
Christ Casting Out the Legion of Devils, 1987/2003
Belgian jacquard tapestry104 x 115 in
264.2 x 292.1 cm -
From Counterculture to Cyberculture, 2017
Installation view -
From Counterculture to Cyberculture, 2017
Installation view -
Lucy Dodd
Lady Long Gone, 2016
Dye on cotton on metal chair frame34 x 36 x 36 in
86.4 x 91.4 x 91.4 cm -
From Counterculture to Cyberculture, 2017
Installation view -
Lucy Dodd
Beyond Blind (1981 1⁄2), 2013
Foss leaf extract, sumac extract, black lichen, yerba maté, graphite, Bub's urine,
anatto, and mixed pigments on canvas117 x 117 in
297.2 x 297.2 cm -
Dawn Kasper
UH yes, UH no, 2014/2017
Mackie active speaker, ipod shuffle, snare drum, stand, bells, incense36 x 16 x 16 in
91.4 x 40.6 x 40.6 cm -
Dawn Kasper
UH yes, UH no (detail), 2014/2017
Mackie active speaker, ipod shuffle, snare drum, stand, bells, incense36 x 16 x 16 in
91.4 x 40.6 x 40.6 cm -
From Counterculture to Cyberculture, 2017
Installation view -
Israel Lund
Untitled, 2017
Acrylic on raw canvas88 x 68 in
223.5 x 172.7 cm -
From Counterculture to Cyberculture, 2017
Installation view -
From Counterculture to Cyberculture, 2017
Installation view -
From Counterculture to Cyberculture, 2017
Installation view -
K.R.M. Mooney
Joan Green, Bimetal IV, 2017
steel conduit, linear fluorescent, polyurethane fitting, electrical splicing ribbon, fluval tank heater,
cast lavender, silver, steel binding wire112 x 12 x 12 in
284.5 x 30.5 x 30.5 cm -
K.R.M. Mooney
Joan Green, Bimetal IV (detail), 2017
steel conduit, linear fluorescent, polyurethane fitting, electrical splicing ribbon, fluval tank heater,
cast lavender, silver, steel binding wire112 x 12 x 12 in
284.5 x 30.5 x 30.5 cm -
Alex Mackin Dolan
Korut Courtyard Cabinet (Bad R.N.G. TWIN Version), 2017
Wood, synthetic polymer paint, plexiglass, archival inkjet prints54 x 30 3/4 x 9 1/8 in
137.2 x 78.1 x 22.9 cm -
From Counterculture to Cyberculture, 2017
Installation view -
Sean Paul
Dawn, 0.053 SEC., 2017
Ultraviolet-curable pigmented ink and acrylic on polyester/polymide60 x 114 in
152.4 x 289.6 cm -
From Counterculture to Cyberculture, 2017
Installation view -
Trevor Paglen
The Last Pictures (Construction of Hoover Dam; The Wow! Signal), 2012
Two gelatin silver prints24 x 32 in
60.96 x 81.28 cm -
Trevor Paglen
The Last Pictures (Construction of Hoover Dam; The Wow! Signal), 2012
Two gelatin silver prints24 x 32 in
60.96 x 81.28 cm -
Dawn Kasper
UH, YES UH, NO, 2014
Oil on canvas127 x 103 in
322.6 x 261.6 cm -
From Counterculture to Cyberculture, 2017
Installation view -
Bruce Conner
Untitled, 1975
Oil on canvas20 x 20 in
50.8 x 50.8 cm -
Bruce Conner
Untitled, 1975
Oil on canvas20 x 20 in
50.8 x 50.8 cm
