K.R.M. Mooney is included in “An Insular Rococo” on view at Hollybush Gardens in London through September 24.
K.R.M. Mooney is included in “An Insular Rococo” on view at Hollybush Gardens in London through September 24.
Lynn Hershman Leeson’s “Room #8” (2006-2018) and “Agent Ruby” (1998-2002) are included in “Speculative Portraits,” currently on view at SFMOMA through September 5.
Lynn Hershman Leeson is featured in “The Condition of Being Addressable,” currently on view at the Institute of Contemporary Art, Los Angeles.
Koak is included in “A Few Small Nips” on view at Mrs. Gallery through August 12, 2022.
Chris Johanson will sign copies of Considering Unknow Know With What Is, And at the SF Art Book Fair on July 16 at 1 PM. Stop by Altman Siegel, booth A20, for the signing.
Join us for the SF Art Book Fair at Minnesota Street Project from July 15 – 17. Browse artists’ books, monographs, artists’ multiples, and more.
Read why Artnet’s Tim Schneider has named Lynn Hershman Leeson’s “Twisted Gravity” one of the most boundary-pushing works at this year’s Art Basel.
Altman Siegel and Bridget Donahue are thrilled to announce Water Women, a presentation of work by Lynn Hershman Leeson for this year’s edition of Art Basel.
Zarouhie Abdalian’s solo exhibition Interregna is on view at Haynes Court through July 31.
Shannon Ebner will be joined at Altman Siegel on June 2 at 6pm by David Senior, Head of Library and Archives at the San Francisco Museum of Modern Art, to discuss the artist’s recent work.
This event is free and open to the public. To RSVP, please email firstname.lastname@example.org.
Koak will be presenting her first solo show in Asia at Perrotin in Hong Kong. The Driver, opening on Saturday, May 21, will feature a new body of paintings and sculpture which Koak developed over the past year.
K.R.M. Mooney is included in I heard myself close my eyes, then open them, on view at Braunsfelder in Cologne through August 13.
Kikuo Saito is featured in T Magazine’s the T List.
Lynn Hershman Leeson’s groundbreaking video work The Electronic Diaries is on view at Simian, Copenhagen, through June 25.
Join us at the gallery or on Zoom on Saturday, May 7 at 2pm PDT as Alexander Nemerov, Reiko Tomii, and Joshua Cohen discuss the ongoing significance of Kikuo Saito’s life and practice.
View the event recording.
Read “Lynn Hershman Leeson Thinks It’s Time That Her Work Is Recognized” by Emily Wilson for Hyperallergic.
On Friday, April 8, as part of Art Bash, SFMOMA will be auctioning off an NFT from Lynn Hershman Leeson, Final Transformation, a 35mm film converted to 4k video.
Lynn Hershman Leeson is featured in the SF Chronicle Datebook: “At 80, artist Lynn Hershman Leeson is more relevant than ever” by Tony Bravo.
Richard Mosse is the subject of a solo exhibition on view at Kunsthalle Bremen from March 26 – July 31, 2022.
Alex Olson is featured in Xtreme Guest: place settings designed in collaboration with Kristin Dickson-Okuda on view at Kristina Kite Gallery from March 9-19, 2022.
Join McEvoy Arts for Person. Woman. Camera. TV., a lively panel discussion on technology and the female body. The free conversation features pioneering media artist Lynn Hershman Leeson and feminist scholar Peggy Phelan and is moderated by curator Corey Keller. Saturday, March 5, 3-4pm.
The Roof is on Fire, a solo exhibition by Troy Lamarr Chew II, is featured on Contemporary Art Daily.
Faces of ImageNet by Trevor Paglen is included in Barcelona’s festival of light, Llum BCN, illuminating streets, squares, building façades and other public spaces in the Poblenou neighborhood February 4-6, 2022.
Simon Denny and Trevor Paglen are among the artists included in INFORMATION (Today) at the Astrup Fearnley Museet from February 4 – April 24, 2022.
Liam Everett discusses his exhibition of new paintings, ticklepenny lemon phosphate, with curator, writer, and critic Natasha Boas.
Thursday, February 10, 2022, 12:00-1:00 PM PST. Stream the recording HERE.
Altman Siegel is thrilled to announce that Lynn Hershman Leeson has been invited to the 59th International Art Exhibition – La Biennale di Venezia curated by Cecilia Alemani.
Read “A Venice Biennale Informed by the Pandemic Will Spotlight Women” by The New York Times.
Altman Siegel is pleased to announce our participation in OVR:2021, Art Basel’s edition of Online Viewing Rooms dedicated to works produced in 2021.
OVR: 2021 launches on February 9, 8am ET and remains live until February 12, 6pm ET, with public days running from February 10-12. Our presentation will feature “ticklepenny lemon phosphate”, an exhibition of new paintings by Liam Everett.
Check out “Multilayered Paintings That Pay Tribute to Hip-Hop Dances,” a feature on Troy Lamarr Chew II’s new body of work currently on view at Altman Siegel, for The New York Times Style Magazine.
Lynn Hershman Leeson is interviewed for Border Crossings.
The Roof is on Fire, a solo exhibition by Troy Lamarr Chew II, is featured in “What to See During San Francisco Art Week” for Frieze.
The work of Chris Johanson is featured in “Open your mind to meditative art” in the Financial Times.
Troy Lamarr Chew II’s solo exhibition at Altman Siegel, The Roof is on Fire, is featured on Juxtapoz.
FRET SCAPES, a solo exhibition by Shannon Ebner, is on view at Kaufmann Repetto, New York from January 7 – February 19, 2022.
Alex Olson’s solo exhibition with Park View/Paul Soto is on view from November 20, 2021 – February 19, 2022.
K.R.M. Mooney is interviewed by Maddie Klett for BOMB Magazine.
Beta Space: Trevor Paglen will feature the artist’s first sound piece, a new public commission titled, There Will Come Soft Rains (2021), installed in San Jose Museum of Art’s historic clocktower from Friday, November 5, 2021–Sunday, November 6, 2022.
Considering Unknow Know With What Is, And, a solo exhibition by Chris Johanson, is on view at Mitchell-Innes & Nash from November 4 – December 18, 2021.
Didier William’s solo exhibition at Altman Siegel, Siklon, is reviewed by Sarah Hotchkiss for KQED.
Chris Johanson and Johanna Jackson are featured in The New York Times Style Magazine T Presents: 12 Talents Shaping the Design World.
Lynn Herhsman Leeson is featured in the online exhibition Lynn Hershman Leeson: Women Artist’s in KADIST’s and Videobrasil’s Collections streaming at videobrasil.online through November 28., 2021.
Paula Burleigh covers Lynn Hershman Leeson for Artforum.
Richard Mosse’s solo exhibition, Broken Spectre, is on view at Carlier Gebauer from September 17 – October 30, 2021.
K.R.M. Mooney’s solo exhibition, Partials, will be on view at Konrad Fischer Galerie from September 17 – December 18, 2021.
Lynn Hershman Leeson’s Conceiving Ada, Teknolust, and Strange Culture are now available to stream on the Criterion Channel.
Lynn Hershman Leeson is featured in the July/August 2021 issue of The Brooklyn Rail in conversation with Monika Fabijanska.
Lynn Hershman Leeson’s solo exhibition at the New Museum, “Twisted,” is a New York Times Critic’s Pick.
Simon Denny and Trevor Paglen are featured in INFORMATION (Today) on view at Kunsthalle Basel from June 25 – October 10, 2021.
Liam Everett’s Blanketing the Bay is featured in Datebook.
Lynn Hershman Leeson is featured in The New York Times discussing her over 50-year exploration of the relationship between the body and technology.
Richard Mosse’s work is featured in Art in America.
Richard Mosse’s solo show, “Incoming,” is on view at Butler Gallery from June 11 through August 29, 2021.
Trevor Paglen’s solo show, A Thousand Flowers, is on view at Pace Gallery from June 10 through June 27.
Richard Mosse’s first retrospective, Migration Conflict Climate Change, is on view at Fondazione MAST from May 7 through September 19, 2021.
Emily Wardill’s solo show, “Soft Spot,” is on view at carlier | gebauer from May 22 through June 26, 2021.
Blanketing the Bay: Liam Everett, a facade project collaboration between ICA San José + Altman Siegel + Minnesota Street Project, offers a safe, socially distanced art experience broadening the audiences that can engage with outstanding contemporary artistic practice in the public realm. The facade project will be on view from May 13 through August 28, 2021.
Lindsay Preston Zappas, artist, writer, and the founder and editor of chief of Contemporary Art Review will be in conversation with artists Andrea Chung, Alex Olson and Analia Saban discussing materiality, surface, and the ways in which mark-making translates into meaning in their works across painting, collage, and sculpture.
Hosted by Venice Family Clinic, Thursday, May 6, 2021, 12:00 PM PT
Gray Area in conjunction with City Lights Booksellers and Yale University Press present Kate Crawford in conversation with Trevor Paglen, celebrating the launch of Crawford’s new book Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence.
Friday, April 30, 2021, 6:00pm PT
Altman Siegel is pleased to participate in Frieze Viewing Room, New York Edition, on view May 5 through May 14, 2021. Our presentation will include new paintings by gallery artists Troy Lamarr Chew II, as well as photographs and early drawings from Lynn Hershman Leeson. Our viewing room will also include brand new paintings from Liam Everett, Koak, and Shinpei Kusanagi.
Wednesday Preview, May 5, 11am EST – Invitation only
Thursday Preview, May 6, 11am EST – Invitation & Frieze members only
Friday, May 7, 11am EST – Friday, May 14, midnight EST – Free access to all
Zarouhie Abdalian’s solo exhibition, We can decide, is featured on Contemporary Art Daily.
Maggie Dethloff, curator of When Home Won’t Let You Stay: Migration through Contemporary Art, will be discussing the work of Richard Mosse, Carlos Motta, and Issac Julien regarding the use of time-based media to communicate stories of migration.
Hosted by The Cantor Arts Center, Tuesday, April 20, 2021, 5:30pm PT
Cascadence is featured on Living Content.
Cascadence is featured in Art Viewer.
Lynn Hershman Leeson is featured in the 13th Gwanju Biennial, “Minds Rising, Spirits Tuning,” directed by Defne Ayas and Natasha Ginwala.
Richard Mosse’s solo show, “Tristes Tropiques,” is on view at Jack Shainman Gallery from April 8 through May 15, 2021.
Altman Siegel is thrilled to host a public discussion over Zoom with New Orleans based artist Zarouhie Abdalian and curators Jackie Clay (Coleman Center), Jenny Gheith (SFMOMA), and Xiaoyu Weng (Guggenheim). We can decide, Zarouhie Abdalian’s solo exhibition currently on view at the gallery, will act as a prompt for this group conversation amongst friends and colleagues. Pieces featured in the show will be discussed in context of work the participants have done together.
Thursday, April 8, 2021, 4:00 PM PT
View the recording here: link
Join us for a VIP Walk-through of Art Basel OVR: Pioneers, hosted by Annina Brunner, VIP Representative Switzerland and Sabine Himmelsbach, Director, HeK, Basel.
Wednesday, March 24, 2021, 11 AM PT
Lynn Hershman Leeson’s solo show, “Staged Intimacy,” is on view at Rozenstraat from March 20 through May 29, 2021.
Simon Denny’s solo show, “Mine,” is on view at Petzel Gallery from March 18 through May 15, 2021.
Nate Boyce and Daniel Lopatin’s collaborative NFT, Excess/Harvest, goes live on Foundation on Wednesday, March 3, 2021. The auction is open for 24 hours from the first bid placed.
Lynn Hershman Leeson is featured on the podcast, Mirror with a Memory, in conversation with Martine Syms and American Artist discussing how AI can complicate our relationship to pictures we would otherwise think of as visual “proof.”
Join Omar Kholeif in conversation with Trevor Paglen and special guests Lynn Hershman-Leeson and Saira Ansari for a special online book launch, discussion and signing for Art in the Age of Anxiety.
Sunday, February 14, 2021, 2:00 PM PST
Lynn Hershman Leeson is featured in Living Content in conversation with Adriana Blidaru.
Altman Siegel is pleased to present artist Alex Olson in conversation with art historian and critic, Suzanne Hudson. The two will discuss Olson’s current solo exhibition at the gallery, A Platypus Glows Under Blacklight, and more broadly how it sits within the painter’s broader practice.
Saturday, January 30, 2021, 3:00pm PT
View the recording here.
Altman Siegel and soft network, a cooperative platform for collective arts programming, are pleased to present Reclaiming Network, a public, open forum discussion in which the project’s ideas will be workshopped and discussed as part of a meditation on the significance of collectivity. The content that each artist has contributed to the Altman Siegel online viewing room as well on Rachel Comey’s website and in her NYC store will be introduced by each participant. The group will also workshop new methods of activating online spaces and marketplaces as a means of addressing shifting concerns of cultural production and survival during this transformational time.
Rachel Comey, Fashion Designer
Gwen Smith, Artist
Chelsea Spengemann, Director, Stan VanDerBeek Archive
Sara VanDerBeek, Artist
Yelena Yemchuk, Artist
Moderated by Claudia Altman-Siegel
Friday, January 29, 2021, 1:00pm PT
View the recording here.
Altman Siegel is pleased to participate in 4 x 8-bridges – an expansion of the 8-bridges website to include thirty-six Northern California art galleries, each showing four carefully selected works as well as a series of talks, webinars, and Zoom walk-throughs the week of January 25-31, 2021.
Matt Keegan is featured in Artforum in conversation with Domenick Ammirati about his artist book 1996 and the past and future Democratic Party.
We are pleased to announce that Lynn Hershman Leeson and Richard Mosse are 2020 VIA grant recipients!
Richard Mosse is featured in The Monocle Weekly in conversation with Augustin Macellari.
Chris Johanson’s solo show, “Subject Matter, Unblivion, Peace Train of Thought | How I figured Out How to Have a Show in 2021,” at The Modern Institute is now on view.
!Women Art Revolution by Lynn Hershman Leeson is featured in SFMOMA’s five-part program of films by women that foreground the possibilities of resistance and activism as it critiques power structures. The film will be available to stream online from December 16-22, 2020.
Richard Mosse is featured in VICE discussing his infrared images capturing the mass destruction of the Amazon rainforest
Emily Wardill’s film I gave my love a cherry that had no stone is streaming from December 7-13, 2020 on eFlux Video & Film.
I Yield My Time, Fuck you! is featured in Contemporary Art Daily.
Simon Denny has released a limited edition silk scarf titled, “Berlin Blue,” with Berlin Program for Artists. All proceeds benefit next year’s program for this free, peer to peer artist mentoring initiative founded in 2016 by Denny, Angela Bulloch, and Willem de Rooij.
Altman Siegel is pleased to announce our participation in Art Basel OVR: Miami Beach taking place December 2 – 6, 2020.
Trevor Paglen is featured in e-flux in conversation with Alessandra Franetovich.
Emily Wardill’s solo exhibition at Secession, “Night for Day,” is featured on Contemporary Art Daily.
Lucy Ives discusses Matt Keegan’s “1996” for Art in America.
Zarouhie Abdalian is a recipient of the 2020 Painters & Sculptors Grant from the Joan Mitchell Foundation.
Matt Keegan is featured in “Artists’ Artists: Part One” in Frieze nominating Democracy: A Project by Group Material, 1987 – 1989, as an artwork that has been influential to him.
SculptureCenter is hosting a book launch for the release of Matt Keegan’s “1996” on October 10, 2020, at 6:00 pm ET. Visit SculptureCenter’s website to learn more.
For the inaugural edition of 8-bridges, Altman Siegel is pleased to announce new works addressing the mask as an identity construct by legendary Feminist artist Lynn Hershman Leeson. 8-bridges is a new online enterprise connecting Bay Area art and culture.
Lynn Hershman Leeson will be in conversation with Apsara DiQuinzio, Senior Curator of Modern and Contemporary Art and Phyllis C. Wattis MATRIX Curator at Berkeley Museum of Art Pacific Film Archive, as they tour Hershman Leeson’s exhibition. The event will take place on Friday, September 25, 3:00 pm PT.
Emily Wardill’s exhibition, “Night for Day,” at Vienna Secession is on view from September 17 – November 8, 2020.
Trevor Paglen is featured in The New York Times discussing the history of photography and its relationship to state surveillance.
Lynn Hershman Leeson will be in conversation with New Museum Curator Margot Norton on August 6, 2020 at 4:00 pm PT in anticipation of her upcoming exhibition, “Twisted.” Visit the New Museum website to learn more.
Lynn Hershman Leeson is featured in Frieze discussing her experiments with digital avatars and viral antibodies.
Altman Siegel is pleased to announce our participation in UNTITLED, ART Online, a virtual-reality art fair experience, taking place July 31 – August 2, 2020.
Artists Simon Denny, Lynn Hershman Leeson, and Trevor Paglen join Claudia Schmuckli, Curator-in-Charge of Contemporary Art and Programming, Fine Arts Museums of San Francisco and curator of Uncanny Valley: Being Human in the Age of AI, in a conversation about the political stakes of artificial intelligence. The event will take place via Zoom on Tuesday, July 28, 11:00 am PT. Visit the UNTITLED, ART Online website to learn more.
Trevor Paglen’s exhibition “Territory” is featured on Contemporary Art Daily.
To celebrate his solo exhibition at Altman Siegel, Trevor Paglen will discuss his new work and its relationship to 19th Century photography with noted historian and author, Tyler Green. The event will take place on Thursday, July 30, 4:00 pm PT.
Simon Denny is featured in Frieze discussing his update of Class Struggle, a socialist alternative to Monopoly, originally published in 1978.
For Fondamenta, an online project presented by Artissima, Altman Siegel is pleased to feature a solo presentation with K.R.M. Mooney. Fondamenta is on view from June 5 – July 5, 2020.
Altman Siegel is pleased to present work by Matt Keegan, Liam Everett, Laeh Glenn, and Chris Johanson for FAIR, an online art fair initiative hosted by the New Art Dealers Alliance (NADA) in partnership with Artlogic. FAIR is on view from May 20 – June 21, 2020.
Shannon Ebner from “The Electric Comma” Series (2011-2013) – May 12, 2020
Dispatch from New Orleans, by Zarouhie Abdalian – April 22, 2020
An update on life in Sausalito, California – from Will Rogan – April 15, 2020
Trevor Paglen is featured in The New York Times discussing his work on AI.
Koak’s exhibition “Return to Feeling” is featured on Contemporary Art Daily.
la voie lactée – Liam Everett – April 1, 2020
Realism + Serenity Prayer + Well Wishing= ☮ful Thought Processes – Chris Johanson – March 25, 2020
Touch – Koak – March 19, 2020
Koak’s solo exhibition, “Return to Feeling,” is featured on Hypebeast.
Ann Binlot interviews Simon Denny on his exhibition “Security Through Obscurity” for Document.
Simon Denny’s exhibition “Security Through Obscurity” is covered by Vanessa Friedman for The New York Times.
Simon Denny’s solo exhibition “Security Through Obscurity” is featured in the San Francisco Chronicle Datebook.
Zarouhie Abdalian is featured in Art Viewer for her participation in “Higher! Higher! Lower, Lower, Louder! Louder! Softer, Softer” at Shimmer in Rotterdam.
Shannon Ebner’s solo exhibition, “WET WORDS IN A HOT FIELD” at Altman Siegel is featured in Contemporary Art Daily.
Amanda Dalla Villa Adams interviews Zarouhie Abdalian for Sculpture Magazine.
Richard Mosse’s exhibition, “Incoming,” is now on view at the National Gallery of Art through March 22nd, 2020.
Emily Wardill’s solo show, “Bi,” at Kohta is on view from November 14 through December 21, 2019. Photo: Jussi Tiainen.
Chris Johanson’s solo show, “Paintings,” at Galleri Nicolai Wallner is now on view starting November 8, 2019. Photo: Anders Sune Berg
Richard Mosse’s solo presentation, “Incoming,” at SFMOMA is now on view from October 26, 2019 through February 17, 2020. Photo: Kramlich Collection; NGV Triennial, National Gallery of Victoria, Southbank, Australia
K.R.M. Mooney’s solo exhibition, “Ores,” at David Dale Gallery, is featured in Contemporary Art Daily.
SF Weekly covers Richard Mosse’s concurrent exhibitions at SFMOMA and Altman Siegel. “Incoming” is on view at the museum from October 26, 2019 through February 7, 2020.
Richard Mosse’s solo exhibition, “Ultra,”on view at Altman Siegel was reviewed by Hannah Maier-Katkin for The Brooklyn Rail.
Trevor Paglen’s exhibition, Machine Visions, is now on view at the Nam June Paik Art Center from October 16, 2019 through February 2, 2020. Trevor Paglen is the winner of the 2018 Nam June Paik Art Center Prize.
Trevor Paglen’s new commission for The Curve at the Barbican Centre, “From ‘Apple’ to ‘Anomaly’,” opens on September 26, 2019 is on view through February 16, 2020. Image: ©️ Tim P. Whitby / Getty Images
Zarouhie Abdalian and Joseph Rosenzweig are featured in the 5th Ural Biennial in Russia curated by Xiaoyu Weng. The Biennial is on view September 12 — December 1, 2019. Image: “Rhymes and Reckonings (for Sverdlovsk and Yekaterinburg),” 2019, Fixtures, tools, motors, electronics, and text, dimensions variable.
Richard Mosse’s upcoming exhibition at SFMOMA, “Incoming,” is featured in “Here Are 23 Outstanding Museum Shows Across the US That You Won’t Want to Miss This Fall” by Artnet.
Trevor Paglen’s solo show, “The Shape of Clouds,” opens on September 4, 2019 at Pace Gallery, Geneva. The show will be on view through October 19, 2019.
Sara VanDerBeek’s solo exhibition, “Roman Women,” was reviewed by Emma Drew for KQED.
Sara VanDerBeek is included in a feature for Photograph Magazine by Glen Helfand on three notable shows in Northern California this summer providing examples of how sculpture, and the idea of sculpture, are explored in photo-based work.
Altman Siegel is pleased to be participating in the SF Art Book Fair held July 19 – July 21, 2019 at Minnesota Street Project. We will be showcasing unique objects, publications, artworks, and special editions from Zarouhie Abdalian, Jessica Dickinson, Shannon Ebner, Liam Everett, Johanna Jackson, Chris Johanson, Matt Keegan, Koak, K.R.M. Mooney, Richard Mosse, Alex Olson, Trevor Paglen, Will Rogan, and Emily Wardill.
Preview – Friday 6-10pm
1275 Minnesota Street
San Francisco, CA 94107
Trevor Paglen and the Kronos Quartet will be presenting “Sight Machine,” a multimedia performance putting a string quartet under the gaze of machine-vision and artificial intelligence, at the Barbican Centre in London on Thursday, July 11, 2019 at 8:30pm.
Hyperallergic covers “Stray: A Graphic Tone” the new, gate-fold LP from Fonograf Editions produced by Shannon Ebner. The vinyl pairs recordings and archival material of poets Susan Howe and Nathaniel Mackey spanning from 1991-2018. LP available for purchase here.
LP cover image: A SIDE by Shannon Ebner (2018). Original floor design by Elizabeth LeCompte from The Wooster Group’s production EARLY SHAKER SPIRITUALS: A RECORD ALBUM INTERPRETATION. Photographed at The Performing Garage, New York, New York on July 5th, 2018.
Fanny Singer reviews Matt Keegan’s solo exhibition at Altman Siegel, “Use Your Words” (February 28 – April 20, 2019), for the summer issue of Frieze.
The SS issue of Kaleidoscope Magazine features Richard Mosse in conversation with Forensic Architecture.
Matt Keegan has been named the Sculpture Center’s 2019 Public Commissions Artist. Keegan’s what was & what is distills real estate development’s rhetorical and visual devices in an object that speaks the language of urban development while prompting opportunity for reflection on the fastest-growing neighborhood in New York City. The sculpture will be on view from May 12 – August 28, 2019.
Koak’s first solo show in London at Union Pacific, “Holding breath,” opens May 3, 2019 and runs through June 2, 2019
“Women & Museums” pairs Sara VanDerBeek’s photographs with a selection of objects that the artist culled from Mia’s collection, objects that resonate with her experiences. The exhibition is on view at Minneapolis Institute of Art’s Harrison Photography Gallery through July 28, 2019.
Chris Johanson’s solo exhibition “Particulate Paper Poems,” is on view at Albert Baronian, Brussels
November 8 through December 22, 2018.
Zarouhie Abdalian’s solo exhibition “Production” is on view at the Contemporary Arts Center, New Orleans,
November 3 – February 10, 2019.
Congratulations Trevor Paglen for receiving the 2018 Nam June Paik Award.
Trevor Paglen’s “Sight Machine” in collaboration with The Kronos Quartet will be performed at the
Smithsonian American Art Museum October 25, 2018.
Trevor Paglen is included in “Everything is Connected: Art and Conspiracy” on view at The Met Breuer
through January 6, 2019.
Trevor Paglen’s Orbital Reflector is featured on PBS/KQED.
Alex Olson’s solo exhibition at Park View/Paul Soto, Los Angeles, is on view September 30 – December 1, 2018.
Simon Denny curated the exhibition “Proof of Work,” on view at the Schinkel Pavillion September 8
through December 21, 2018.
Chris Johanson donated work to the 26th Annual Benefit Art Auction for the Bolinas Museum,
Saturday, September 8 at the Peace Barn, Bolinas.
Will Rogan’s exhibition “Albatross” is an Artforum Critics’ Pick.
Altman Siegel is pleased to be participating in the 2018 SF Art Book Fair July 20 – July 22
at Minnesota Street Project, San Francisco. We will be showcasing unique objects, catalogues,
newly-published artist monographs and special editions from Zarouhie Abdalian, Jessica Dickinson,
Shannon Ebner, Liam Everett, Chris Johanson, Matt Keegan, Alex Olson, Trevor Paglen, Will Rogan,
Sara VanDerBeek and Emily Wardill.
Shannon Ebner is included in “Beautiful world where are you,” the Liverpool Biennial on view
July 14 – October 28, 2018.
Trevor Paglen’s survey exhibition “Machine Visions,” at the Museo Tamayo, Mexico City, is on view
June 28 – September 30, 2018.
Zarouhie Abdalian is included in Other Mechanisms, curated by Anthony Huberman at the Vienna
Secession on view June 29 – September 2, 2018.
Altman Siegel is pleased to present a solo presentation by Matt Keegan for CONDO New York
at David Lewis, 88 Eldridge St, 5th Floor, June 29 – July 27, 2018.
Trevor Paglen: Sites Unseen is on view at the Smithsonian American Art Museum June 21, 2018-
January 6, 2019.
Altman Siegel is pleased to be participating in LISTE – Art Fair Basel 2018, June 11 – June 17, 2018.
We will be featuring new work by Zarouhie Abdalian, Jessica Dickinson, K.r.m. Mooney and Sara
VanDerBeek. Booth 0/1/1.
Trevor Paglen’s solo exhibition “Surveillance States,” is on view at the Prefix Institute of Contemporary
Art, Toronto, May 4 through June 16, 2018.
Liam Everett’s solo exhibition “Listeners,” is on view at kamel mennour, London, April 11 through
May 12, 2018.
Will Rogan is included in Artwork for Bedrooms, curated by CCA’s Graduate Program in Curatorial Practice
2018, at The Wattis Institute for Contemporary Arts, San Francisco, March 15 – May 12, 2018.
Altman Siegel is pleased to be participating in The Dallas Art Fair, April 12 – April 15, 2018, Booth B6.
We will be featuring new work by Liam Everett, Shinpei Kusanagi, Alex Olson and Trevor Paglen.
Altman Siegel is pleased to be participating in ADAA: The Art Show 2018 with a solo presentation
of new work by Liam Everett. February 28 – March 4 at the Park Avenue Armory, New York.
Claudia Altman-Siegel will participate in the ArtsWest panel Women Who Transformed Art in the West
February 24, 2018 at Minnesota Street Project. The symposium also features Arnold J. Kemp,
Claudia Schmuckli, Guerilla Girl Käthe Kollwitz, Renny Pritikin and Hung Liu.
K.r.m. Mooney is included in School of Chairs at 500 Capp Street Foundation, San Francisco
February 17 – June 9, 2018.
Shinpei Kusanagi’s solo exhibition Anywhere Out of the World is on view at Taka Ishii Gallery, Tokyo
February 17 – March 17, 2018.
Altman Siegel is pleased to be participating in Art Los Angeles Contemporary, January 25 – 28, 2018,
at The Barker Hangar, Santa Monica. Presenting a selection of new work by Shannon Ebner, Laeh Glenn,
Chris Johanson, K.r.m. Mooney, Alex Olson, Trevor Paglen and Sara VanDerBeek.
Zarouhie Abdalian and Chris Johanson are included in “Way Bay,” at The Berkeley Art Museum
Pacific Film Archive, opening January 17 and on view through June 3, 2018. Abdalian is also included
in the second iteration of the exhibition, “Way Bay 2” also on view at The Berkeley Art Museum
Pacific Film Archive June 13 through September 2, 2018.
Liam Everett’s new monograph, Without an Audience, published by Altman Siegel and kamel mennour,
Paris/London, and designed by Colpa Press is currently available for sale at the gallery or via email.
The publication includes contributions by Jenny Gheith, Jonathan Griffin, Hope Mohr and Liam Everett.
Altman Siegel is pleased to be participating in FOG Design+Art 2018 at Fort Mason, San Francisco,
January 11 – 14, 2018, booth 102. Presenting work by Chris Johanson, Matt Keegan, Shinpei Kusanagi
and Alex Olson.
Dia Art Foundation presents Artists on Artists Lecture Series: Matt Keegan on Anne Truitt
Tuesday, December 19 at 6:30 pm at Dia: Chelsea 535 West 22nd Street, 5th floor, NYC
Zarouhie Abdalian’s current solo exhibition To History is an Artforum Critics’ Pick. The exhibition
is on view at Altman Siegel through December 16.
Altman Siegel is pleased to be participating in Art Basel Miami Beach 2017: December 7 – 10,
Galleries Section, Booth H10 at the Miami Beach Convention Center.
Presenting work by Zarouhie Abdalian, Liam Everett, Laeh Glenn, Devin Leonardi, Alex Olson,
Trevor Paglen, Sara VanDerBeek and Emily Wardill.
K.r.m. Mooney’s solo exhibition “Carrier” is on view at the Kunstverein Braunschweig, Germany
December 2 through February 11, 2018 (photo: Georgia Sagri)
Shannon Ebner and Trevor Paglen are included in “The Electric Comma,” at the V-A-C Foundation,
Venice, in conjunction with Kadist, on view through March 31, 2018
Trevor Paglen is included in The Image of War at the Bonniers Konsthall, Stockholm on view September 20
thru January 14, 2018
Artforum reviews our summer exhibition From Counterculture to Cyberculture in its October issue
Matt Keegan: Replicate is on view at the Carpenter Center for the Visual Arts, Harvard University, Cambridge
opening October 19 and on view through January 7, 2018
K.r.m. Mooney is included in Delirium & Destiny at A Tale of a Tub, Rotterdam on view September 8
through November 5, 2017
Trevor Paglen is a 2017 MacArthur Fellow for his work documenting the hidden operations of covert
government projects and examining the ways that human rights are threatened in an era of mass
surveillance. Recent press includes The New York Times T Magazine and Newsweek. Paglen is
currently working on Orbital Reflector with The Nevada Museum of Art and will have a solo exhibition
at The Smithsonian in 2018.
Zarouhie Abdalian is included in Mechanisms at The Wattis Institute, San Francisco opening October
12 and on view through February 24, 2018
K.r.m. Mooney’s SECA Art Award exhibition at SFMOMA is featured on Contemporary Art Daily.
The exhibition is on view through September 17, 2017
In conjunction with Liam Everett’s 2017 SECA Art Award exhibition at SFMOMA on view through
Durational performance with Tyler Cross every Tuesday 3:30–4:30pm
Open rehearsal with Hope Mohr Dance every Thursday 4–6pm
Jessica Dickinson’s solo exhibition ARE : FOR + remainders at James Fuentes, New York, is on
view August 1 – September 10
Altman Siegel is pleased to be participating in the 2017 SF Art Book Fair with selected books and
editions by the gallery artists:
1275 Minnesota Street
San Francisco, CA 94107
Preview – Friday, July 21st – 6pm – 10pm
Saturday, July 22nd – 11am – 6pm
Sunday, July 23rd – 11am – 5pm
Liam Everett and K.r.m. Mooney are recipients of the 2017 SECA Art Award. The 2017 SECA Art
Award exhibition is on view at SFMOMA July 15 – September 17. In conjunction with Liam Everett’s
Open rehearsal with Hope Mohr Dance every Thursday 4–6pm (no rehearsal July 27)
Durational performance with Tyler Cross every Tuesday 3:30–4:30pm
Shannon Ebner’s solo exhibition “Stray,” is on view at Galerie Eva Presenhuber, New York
June 23 – July 29
Altman Siegel is participating in LISTE, Art Fair Basel, June 13 – 18 with work by Shinpei Kusnaagi,
Will Rogan and Sara VanDerbeek
Emily Wardill’s exhibition “It’s not what it looks like,” at Altman Siegel is an Artforum Critics’ Pick
Trevor Paglen’s solo exhibition “Deep State” is on view at the Kunsthalle Winterthur May 28 – July 9
Emily Wardill’s exhibition “Matt Black and Rat,” is on view at the Calouste Gulbenkian Museum, Lisbon,
June 2 – August 28
Trevor Paglen’s Sight Machine will appear in episode 4 of National Geographic’s YEAR MILLION
airing June 7
Emily Wardill is included in the Biennale of Moving Images, curated by Faena Art and on view at the
Faena Art Center in Buenos Aires May 23 – 30. Traveling from Miami Beach, the biennale is co-produced
with the Center d’Art Contemporain Genève and curated by Andrea Bellini in collaboration with
Cecilia Alemani, Caroline Bourgeois and Elvira Dyangani Ose.
K.r.m. Mooney is included in “Addendum” part of the exhibition “Enemy of the Stars” at the KW
Institute for Contemporary Art, Berlin on view May 31 thru July 12
Will Rogan and Garth Weiser are included in 99 Cents or Less at the Museum of Contemporary Art Detroit
on view May 19 – August 6
Altman Siegel is pleased to be participating in Frieze New York 2017
at Randall’s Island Park, May 5 – 7, Booth D40. Including work by Zarouhie Abdalian,
Jessica Dickinson, Liam Everett, Laeh Glenn, Matt Keegan, Devin Leonardi and
Trevor Paglen as well as an installation by Shannon Ebner conceived specially for Frieze.
Liam Everett’s solo exhibition Ex Nihilo Nihil Fit at Eleni Koroneou Gallery Athens is on view April 22 – June 3
The Contemporary Austin presents the first monographic museum survey of paintings by Garth Weiser.
The exhibition is on view April 2 – August 27, 2017
Shannon Ebner’s solo exhibition “A Pattern to the Letter,” opens at
Rebecca Camhi Gallery, Athens, in conjunction with Sadie Coles HQ.
The show is on view April 7 thru July 38
Emily Wardill’s solo exhibition “Matt Black and Rat” at the Bergen Kunsthall is reviewed by Flash Art.
The artist’s upcoming solo exhibition at Altman Siegel opens May 11, 2017.
Zarouhie Abdalian is included in the 2017 Whitney Biennial at the Whitney Museum of American Art,
New York and is on view March 17 thru June 11
Trevor Paglen included in “Nothing to Hide? Art, Surveillance, and Privacy,” at Real Art Ways, Hartford
on view March 4 – June 19
Zarouhie Abdalian is included in WAGSTAFF’S at the Mostyn, Wales, February 18 –
Laeh Glenn is included in “Painting in the Network: Algorithm and Appropriation,” at the Hite Art
Institute; Cressman Center for Visual Art, University of Louisville, February 10 – April 8
Shannon Ebner’s new publication, A Public Character, published by Roma Publications on occasion of her
solo exhibition at The ICA Miami. Publication includes texts by Alex Gartenfeld, Bruce Hainley, Laura Hoptman,
Eileen Myles and Ellen Salpeter. click to Purchase.
Matt Keegan’s solo exhibition, Generation, on view at Participant Inc., New York, is on view through
February 12 and was recently reviewed in The New York Times.
Chris Johanson’s solo exhibition “Infused Paper,” at Galleri Nicolai Wallner, Copenhagen, is on view
February 9 – March 17
Chris Johanson included in “The Human Form,” at John Berggruen Gallery, San Francisco on view
through March 4
Jessica Dickinson is included in “New Ruins” at the American University Museum, Katzen Arts Center,
Washington D.C. on view January 28 through March 12
Congrats to Will Rogan for being named a Headlands Center for the Arts 2017 Awardee
Emily Wardill’s exhibition “Matt Black and Rat” opens January 20 at the Bergen Kunsthall, Norway,
and is on view through March 26, 2017
Liam Everett’s solo exhibition “panem et Circen,” at Kamel Mennour, Paris, is on view January 20
through March 4, 2017
T: The New York Times Style Magazine features Altman Siegel in their article covering the growth of
the San Francisco art scene and names Dogpatch America’s next great art neighborhood
Matt Keegan’s solo exhibition “Generation” opens at Participant Inc., New York
on January 8 and is on view through February 12, 2017 and recently featured in
The New Yorker.
Shannon Ebner included in “Evolutionary Travels” at the Fundación Arte, Buenos Aires, December 6
through February 28, 2017
“Invisible Images (Your Pictures Are Looking at You),” Trevor Paglen’s essay for The New Inquiry
Nate Boyce is included in Art Basel Miami Beach 2016 short film program “Best Dressed Chicken in Town”
Wednesday, November 30 – Saturday, December 3 at the SoundScape Park, Miami
Altman Siegel is pleased to announce our participation in Art Basel Miami Beach 2016. Visit us
December 1 – December 4 at the Miami Beach Convention Center. Located at booth B11, we will be
exhibiting work by Zarouhie Abdalian, Nate Boyce, Jessica Dickinson, Shannon Ebner, Liam Everett, Chris Johanson,
Matt Keegan, Shinpei Kusanagi, Devin Leonardi, Alex Olson and Trevor Paglen.
K.r.m. Mooney included in APPLES (Upper) at the Lumber Room, Portland, November 13 – January 14, 2017
Matt Keegan’s solo exhibition “Purple” at Meyer Riegger, Berlin
October 28 – December 23
Matt Keegan included in “We are the Center for Curatorial Studies,” at CCS Bard
Hessel Museum of Art, October 15 – December 16
Shannon Ebner, Matt Keegan and Trevor Paglen are included in “The Sun Placed in the Abyss,”
at the Columbus Museum of Art, October 7 – January 8, 2017
“A Traveling Show,” Matt Keegan and Kay Rosen at the Contemporary Arts
Museum Houston, October 8 – January 15, 2017 traveling from The Grazer Kunstverein.
Matt Keegan and Kay Rosen in conversation with Dean Daderko, Saturday, October 8
at 2 pm at the Contemporary Arts Museum Houston.
Chris Johanson included in “Outside,” curated by Matthew Higgs for Karma, Amagansett, New York
September 3 – September 25
Trevor Paglen included in Home Land Security on view at Fort Winfield Scott at Langdon Court in the Presidio,
San Francisco, September 10 – December 18, 2016, organized by the For-Site Foundation.
Artnet chats with Claudia Altman-Siegel about how she got her start and founded her eponymous gallery
in San Francisco in 2009.
Zarouhie Abdalian included in Artnet’s “9 Emerging Artists You Need to Know About Right Now”
Altman Siegel is pleased to be participating in the inaugural San Francisco Art Book Fair. Join us
July 22nd through July 24th at the Minnesota Street Project, San Francisco. We will be featuring
publications from our gallery artists as well as limited editions and a selection of works on paper.
Jessica Dickinson included in O / U at Room East and P! New York
July 15 – August 20
Matt Keegan included in the C.Ar.D. Contemporary Art & Design Biennial in Piacenza, Italy
July 9 – October 2, 2016
Liam Everett included in the Biennale of Painting at the Museum Dhondt-Dhaenens,
Deurle, Belgium, June 26 – September 25
Jessica Dickinson included in “See sun, and think shadow” at Gladstone Gallery, New York
June 23 – July 30, 2016
K.r.m. Mooney included in “More than Lovers, More than Friends,” at FUTURA, Prague
June 21 – September 11
K.r.m. Mooney’s exhibition at Reserve Ames, Los Angeles, reviewed in Art Agenda. The exhibition
is up through July 24
Trevor Paglen awarded the Deutsche Borse Photography Prize for 2016.
Exhibition on view now at The Photographer’s Gallery, London, thru July 3
Liam Everett, Chris Johanson and Will Rogan have all donated works to the Headlands Center for the Arts
Benefit Art Auction 2016 taking place at the Festival Pavilion at Fort Mason, San Francisco, June 1 at 6:30 pm.
Art News magazine covers the news we will be working with LA-based painter
Alex Olson. Olson will have a solo exhibition at Altman Siegel’s new gallery in the
Spring of 2017
Liam Everett’s exhibition “The Elephant Calf” reviewed in Art Ltd Magazine
Zarouhie Abdalian featured in the May issue of Art in America
Matt Keegan solo presentation at Frieze New York
May 5 – 8, 2016
Randall’s Island, New York, booth A25
Chris Johanson and Jessica Dickinson are included in “Future Developments” at David Petersen Gallery,
Minneapolis, opening April 23 and up through July 22
K.r.m. Mooney included in No. 6 at Freedman Fitzpatrick, Los Angeles April 10 – May 14
Trevor Paglen is nominated for the Deutsche Börse Photography Foundation Prize 2016
and is included in the exhibition of nominees at The Photographers’ Gallery, London
open now and up through July 3
Emily Wardill exhibits her film When you fall into a Trance at the Rugby Art Gallery, UK
April 16 – June 11
Zarouhie Abdalian included in The Space Between at MASS MoCA,
North Adams, Massachusetts, on view April 16 – December 2016
K.r.m. Mooney’s solo exhibition Oscine at Reserve Ames, Los Angeles, opens April 10 and on view through
June 5. A curated library by Anthony Huberman will accompany the exhibition.
Painting: For and Against
A panel discussion regarding the continued relevance of painting as a contemporary art form
With Liam Everett, Andrew McClintock, K.r.m. Mooney and John Zurier.
Moderated by Leigh Markopoulos
Saturday April 23, 2016 at 3pm at Altman Siegel
In conjunction with the final day of Liam Everett’s exhibition The Elephant Calf
ArtNews covers Altman Siegel’s relocation to Dogpatch where we will open September 2016
“A Betrayal,” Zarouhie Abdalian’s solo exhibition at Clifton Benevento is an Artforum Critics’ Pick
on view through May 14. Also seen on Contemporary Art Daily, The New Yorker and The New York Times
The San Francisco Chronicle announces Altman Siegel’s new gallery opening in September in the
Dogpatch district as part of the Minnesota Street Project
Shannon Ebner included in Wasteland: New Art from Los Angeles at Galerie Thaddaeus Ropac, Paris Pantin,
curated by Shamim Momin, March 13 – July 17
K.r.m. Mooney in two-person exhibition with Morgan Canavan
at White Flag Projects Library, March 26 – May 7
Claudia Altman-Siegel quoted in the Observer on digital art and the newest trends
in domestic design
The Wall Street Journal Magazine highlights Altman Siegel’s program in
“Art Talk: Bay Watch,” March 22, 2016
Liam Everett’s The Elephant Calf reviewed in SF Weekly and on view at
Altman Siegel through April 23
Zarouhie Abdalian and Shannon Ebner included in Signal to Noise
at Simon Preston Gallery, New York March 5 – April 24
The Brooklyn Rail reviews “Photo-Poetics: An Anthology” at The Guggenheim, New York.
Group exhibition including work by Sara VanDerBeek and up through March 27
Zarouhie Abdalian solo exhibition “A Betrayal,” at Clifton Benevento, New York
March 5 – May 14
Garth Weiser solo exhibition at Simon Lee Hong Kong February 19 – March 17
Trevor Paglen featured in the new issue of Kaleidoscope
Matt Keegan’s new publication OR recently published by Inventory Press.
The monograph expands on his recent solo exhibition at Rogaland Kunstsenter,
Norway and features contributions from Tom McDonough, John Miller,
Sara VanDerBeek, Anna Craycroft, Uri Aran, Leslie Hewitt and James Richards.
Hardcover, 124 pages, color illustrations, 7.5 x 10 inches. Purchase
Trevor Paglen included in “Electronic Superhighway (2016-1966)” at Whitechapel Gallery, London.
Up through May 15
Laeh Glenn featured in New American Paintings “16 Artists to Watch in 2016”
Trevor Paglen included in “Radical Landscapes” at the di Rosa, Napa, California
February 6 – April 3
Nate Boyce “Polyscroll I, II, III, IV,” at the Kunstverein München
February 2 – March 13
Artforum critic’s pick “Of Echo Systems” currently on view at Altman Siegel through February 20
and featuring work by Shannon Ebner, K.r.m. Mooney and Will Rogan.
Sara VanDerBeek and Lisa Oppenheim in conversation at the Guggenheim
Wednesday, January 27 in conjunction with the exhibition Photo-Poetics:
An Anthology up now through March 27
Altman Siegel is participating in FOG Design+Art 2016 with a solo presentation of work by Trevor Paglen
January 14-17, 2016 Fort Mason Festival Pavilion, San Francisco – Booth 110. The San Francisco Chronicle
previews Altman Siegel’s presentation as well as 7×7.
Sunday, January 17 join Claudia Altman-Siegel at 1:00 pm in the FOG theater for a conversation about
the Changing Face of San Francisco’s Art Scene. Also speaking is Alison Gass, associate director
of collections, exhibitions, and curatorial affairs, Cantor Arts Center; Jonn Herschend, co-founder,
The Thing Quarterly and Deborah Rappaport, co-founder, Minnesota Street Project.
Laeh Glenn in Background/Foreground at Galerie Nordenhake, Stockholm
January 14 – February 20
Installation view of Liam Everett’s exhibition 1970-1974 at Office Baroque, Brussels
October 30 – December 12, 2015
Nate Boyce included in An Increasingly Desperate Man at Alter Space, San Francisco
January 9 – February 20
Trevor Paglen featured in The Financial Times
Artnet follows Trevor Paglen as he leads a scuba tour off the coast of Miami in search of
NSA-Tapped Cables. more images from the dive
Laeh Glenn’s solo presentation for Altman Siegel’s NADA Miami Beach booth
previewed in The Observer and Harper’s.
The San Francisco Chronicle checks in with Altman Siegel at the celebration for Chris
Johanson’s exhibition, Equations, currently on view at the gallery through December 19
Trevor Paglen speaks with CBC Radio on learning to see surveillance
Will Rogan’s exhibition at Misako & Rosen
reviewed in Art Asia Pacific
Sara VanDerBeek in Photo-Poetics: An Anthology
November 20 – March 23, 2016
The Guggenheim, New York
Zarouhie Abdalian at the Exploratorium, San Francisco
October 29 – December 13
October 29: Functions Enactments
November 8: Situational Music Concert
November 15: Functions Enactments
December 10: Functions Enactments
December 13: Functions Enactments
Interview with Claudia Altman-Siegel
October issue of San Francisco Cottages and Gardens
Installation view of Clocks and other problems
Will Rogan’s solo exhibition at Misako & Rosen, Tokyo
October 4 – November 15
Trevor Paglen in Don’t Follow the Wind
at the Fukushima exlusion zone on Hyperallergic
Emily Wardill in Here too I Exist
September 24 – November 6
Koppe Astner, Glasgow
Matt Keegan in Reconstructions: Recent Photographs and Video from the Met Collection
The Metropolitan Museum of Art, New York
September 21 – March 13, 2016
Emily Wardill in the 2nd Kyiv International Biennale of Contemporary Art, Ukraine
September 8 – January 18, 2016
Garth Weiser and Trevor Paglen in Artists at Work
The Cantor Arts Center, Stanford, California
September 9 – January 18, 2016
September 19 – October 15, 2015
Fine Arts Gallery, San Francisco State
Artist talk: Thursday, October 15
5:30 – 6:30 pm Room 193
Artist talks regarding the exhibition:
Tuesday September 8, 6:30-8 PM:
Trevor Paglen in conversation with Negar Azimi, senior editor of Bidoun.
NeueHouse 110 East 25th Street, New York, NY
RSVP essential: email@example.com
Wednesday September 9, 7-8 PM:
Smithsonian American Art Museum, Nan Tucker McEvoY Auditorium
8th and G Streets, NW, Washington, DC
Saturday September 12, 1 PM:
519 West 24th Street, New York, NY
August 29, 2015 – January 19, 2016
San Jose Museum of Art
San Jose, CA
Artist’s book printed by RITE EDITIONS, Altman Siegel and On Stellar Rays. Clay pigment printed, hard cover and stitch bound in an edition of 45. With text by Bruno Tollon and an essay by Rabih Alameddine.
June 12 – October 11, 2015
May 23, 2015 – April 2016
North Adams, MA
Zarouhie Abdalian, Luis Miguel Bendaña, Joshua Citarella, Mariah Dekkenga,
Channa Horwitz, Karin Sander, Siebren Versteeg, Mike Yaniro
June 26 – August 7, 2015
New York, NY
June 29, 2015 @ 7pm
Real Time & Space
June 25 – July 31 2015,
Hauser & Wirth
New York, NY
June 25 – October 4, 2015
Southeastern Center for Contemporary Art
Shannon Ebner in All Watched Over
Curated by Tina Kukielski
June 25 – August 7, 2015
James Cohan Gallery
New York, NY
Zarouhie Abdalian in Art+Process+Ideas
Zarouhie Abdalian, Jacqueline Kiyomi Gordon, Weston Teruya
June 24 – August 30, 2015
Mills College Art Museum
June 20 – September 20, 2015
The Museu de Arte Contemporânea de Serralves
Liam Everett in Family & Friends
June 11 – July 18, 2015
Eleni Koroneou Gallery
Shannon Ebner and Matt Keegan in Storylines: Contemporary Art at the Guggenheim
June 5 – September 9, 2015
Solomon R. Guggenheim Museum
New York, NY
Organized by Queer Thoughts & Franklin Melendez
June 11 – July 20, 2015
Galerie Éric Hussenot
A High Line Commission
with a performance by Alex Waterman
June 4, 2015
Babette Mangolte & Trisha Brown, Bill Jenkins, Charles Harlan, Diane Simpson,
Haim Steinbach, Kay Rosen, Matt Keegan, Tony Feher, Virginia Overton
June 4 – July 24, 2015
Sikkema Jenkins & Co.
New York, NY
Garth Weiser at Casey Kaplan
May 11 – June 20, 2015
Preview: Monday, May 11, 6 – 8pm
New York, NY
May 3 – June 7, 2015
New York, NY
April 23 – May 30, 2015
Eleni Koroneou Gallery
Jessica Dickinson, “Under / Press. / With-This / Hold- / Of-Also / Of/How / Of-More / Of:Know”
Published by Inventory Press. Under / Press. / With-This / Hold- / Of-Also / Of/How / Of-More / Of:Know
presents eight paintings and their “remainders”—graphite rubbings made of the paintings. Every time the
surface of the paintings changes significantly, a graphite impression is made to transcribe the surface.
These works in turn map the transitive passages of the paintings, becoming their indexes, unfolding time
in a sequence while asserting the materiality of the paintings. Purchase
April 12 – September 20, 2015
Baltimore Museum of Art
April 8, 2015
ICA, Philadelphia, PA
April 21, 2015
Sony Wonderfland Technology Lab
New York, NY
Liam Everett in I KNOW YOU GOT SOUL
April 19 – June 21, 2015
Curated by Amir Shariat
Nate Boyce in Nitro Trail
Sunday, March 22, 2015
Point Pinole, Richmond, CA
April 10 – June 28, 2015
Aspen Art Museum
Shannon Ebner in Images that Speak
April 3 – May 16, 2015
Opening April 2, 7:30 pm
By Etienne Hatt
March 14 – June 7, 2015
Robert Breer, 69, 1968
March 3, 2015, 7:00 pm
Nate Boyce curates a screening of short films that have influenced his practice ranging
from the structuralist films of Paul Sharits to experimental animation by Robert Breer,
and many others. The artist provides an introduction and context to the works screened.
Chris Johanson in “A blur, a beautiful blurry blur”
curated by Giti Nourbakhsch
with Marvin Gaye Chetwynd, Berta Fischer, Simone Gilges,
Chris Johanson, Stefan Marx, Mike Ploog, Vincent Tavenne, Ina Weber
Galerie Karin Guenther
Opening January 29, 2015
February 7 – May 17, 2015
By Monica Westin
Shinpei Kusanagi – nowhere now here
February 14 – March 14, 2015
Taka Ishii Gallery
==#2 is a non-thematic arts publication contained in a box with a 96-page bound volume featuring
artist-to-artist interviews, texts, and transcriptions. Six loose multiples are also included.
Contributors include: Sam Anderson, Uri Aran, Fia Backström, Darren Bader, Judith Barry, Stefania
Bortolami, Daniel Bozhkov, Milano Chow, Anna Craycroft, Lucky DeBellevue, Cristina Delgado,
Haytham El-Wardany, Jake Ewert, Vincent Fecteau, Corrine Fitzpatrick, Harrell Fletcher, Rachel
Foullon, Aurélien Froment, Kenny Greenberg, Calla Henkel, Leslie Hewitt, Jaya Howey, Adelita
Husni-Bey, Iman Issa, Ruba Katrib, Jill Magid, Jo Nigoghossian, Aaron Peck, Max Pitegoff, David
Placek, Olivia Plender, Lisa Robertson, Andrew Russeth, Amy Sillman, Diane Simpson, Greg Parma
Smith, Jessica Stockholder, Martine Syms, and Anicka Yi.
Cynthia Daignault, Virginia Overton, Will Rogan
January 23 – February 28, 2015
San Francisco, CA
January 23 – April 5, 2015
Yerba Buena Center for the Arts
San Francisco, CA
“As San Francisco Booms, So Does its Gallery Scene”
By Joseph Akel
January 11 – February 14, 2015
On Stellar Rays
New York, NY
Elizabeth McAlpine, Kate Newby, Karthik Pandian, Will Rogan, Allyson Vieira
January 11 – February 15, 2015
New York, NY
November 14 – December 13, 2014
September 2 – October 31, 2014
Galerie Barbara Weiss, Berlin
Chris Johanson – Continuity Escapes Me (My Selfishness in Los Angeles)
August 27 – October 11, 2014
Galleri Nicolai Wallner
September 17, 2014 – January 4, 2015
Cornell Fine Arts Museum, Rollins College
1000 Hold Avenue, Winter Park, FL 32789
Trevor Paglen in Smart New World
April 5, 2014 – August 10, 2014, Kunsthalle Düsseldorf
April 5, 2014 – April 26, 2014, The Suzanne Geiss Company, New York, New York
Erika Vogt: The Artist Theater Program features Shannon Ebner
Troy, New York
April 11, 2014
Will Rogan at Berkeley Art Museum
“Will Rogan: Matrix 253,” April 11, 2014 – June 9, 2014, Berkeley Art Museum, Berkeley, California
Trevor Paglen talks with Rebecca Solnit
via Lannan Foundation
Sara VanDerBeek in the 12th Bienal de Cuenca
“Leaving to Return,” March 28 – June 27, 2014, Fundacion Municipal Bienal de Cuenca, Ecuador
Chris Johanson elucidates the great confluence of Sun, Tree, and Taco over at KQED’sArt School
Shannon Ebner at Fondazione Memmo
“Auto Body Collision,” March 13 – June 27, 2014,
Palazzo Ruspoli, Rome
Liam Everett at On Stellar Rays
“Montolieu,” March 2 – April 6, 2014, On Stellar Rays,
New York, New York
“Self(ish) Expression(ism),” February 15 – March 29, 2014, Portland Museum of Modern Art, Portland, OR
December 5, 2013
Trevor Paglen on The Creators Project
“Trevor Paglen Documents Government Secrecy
Zarouhie Abdalian review in Artforum
by Gwen Allen, Artforum, December 2013
November 1, 2013
Nate Boyce at MoMA PS1
“R Plus 6 / Affect Index,” November 3, 4 – 7pm,
MoMA PS1, New York
May 18, 2013
Chris Johanson at MOCA
“Within The River of Time Is My Mind,”
June 29 – September 22, 2013,
The Museum of Contemporary Art, Los Angeles
April 30, 2013
Matt Keegan at Galeria Pedro Cera
“Horizon,” April 12 – June 1, 2013, Galeria Pedro Cera, Lisboa, Portugal
March 29, 2013
Shannon Ebner review in Artforum
by Lauren O’Neill-Butler, Artforum, April 2013
Trevor Paglen review in Artforum
by Eva Diaz, Artforum, April 2013
March 19, 2013
Shannon Ebner on Bernd and Hilla Becher
Artists on Artists Lecture Series, March 25, 2013,
Dia Art Foundation, New York
Liam Everett is recipient of the 2013
Richard Diebenkorn Teaching Fellowship at
San Francisco Art Institute
Art & Education, March 2013
Liam Everett receives 2013 Artadia Grant
Gallerist NY, February 2013
Trevor Paglen ‘The Last Pictures’ review in
The New York Times
‘The Last Pictures,’ by Holland Cotter, The New York Times, February 28, 2013
Garth Weiser at Eli and Edythe Broad Art Museum
‘Pattern: Follow the Rules,’ March 22 – June 23, 2013,
Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI
January 31, 2013
“New Year’s Day Swimmers” reviewed on
by Amelia Sechman, Daily Serving, January 31, 2013
December 14, 2012
Trevor Paglen in Frieze
“Horror Vacui,” by George Pendle, Frieze, January 2013
Shinpei Kusanagi at Taka Ishii
“where water comes together with other water,” January 25 – March 9, 2013, Taka Ishii, Tokyo, Japan
December 14, 2012
Liam Everett on Frieze
“If I could sleep I might make love. I’d go into the woods. My eyes would see… the sky, the earth. I’d run, run, they wouldn’t catch me.”
November 1 – January 5, 2013, Altman Siegel, San Francisco
Emily Wardill at ARTES
“The Third Person,” December 7, 2012 – February 10, 2013,
ARTES – Fundação Manuel António da Mota, Lisbon, Portugal
December 8, 2012
Matt Keegan chosen as Best of Art Basel
“Best of Art Basel Miami Beach 2012,” Artinfo.com
December 5, 2012
Liam Everett on Artforum Critics’ Picks
“If I could sleep I might make love. I’d go into the woods. My eyes would see… the sky, the earth. I’d run, run, they wouldn’t catch me.”
November 1 – January 5, 2013, Altman Siegel, San Francisco
November 9, 2012
Trevor Paglen on Artforum Critics’ Picks
“The Uninvited Guest,” September 15 – November 25, 2012, Liverpool Biennial, Liverpool, United Kingdom
November 6, 2012
Emily Wardill on the cover of Art in America
“Borderlands,” by Kirsty Bell, Art in America,
October 16, 2012
Trevor Paglen in The New Yorker
“Prying Eyes,” by Jonah Weiner, The New Yorker,
October 22, 2012
October 5, 2012
Nate Boyce and Liam Everett
Nominated for SFMOMA SECA Art Award 2012
“Things, Words and Consequences,” curated by Sanya Kantarovsky and Stas Shuripa, September 15 – October 14, 2013, Moscow Museum of Art, Russia
Shannon Ebner and Sara VanDerBeek
Daegu Photo Biennale, curated by Charlotte Cotton, September 20 – October 28, 2012, Daegu, South Korea
Feature in Artforum, written by Jon Raymond, October 2012
“Y? O! G… A.” with Eileen Quinlan, curated by Matthew Lyons, October 31-December 22, 2012, The Kitchen, New York
“The Last Pictures” book launch and speaking tour
“In the Holocene,” curated by Joao Ribas, October 19 – January 6, 2013, MIT List Visual Arts Center, Cambridge, Massachusetts
“How Much Fascism?” September 29 – December 23, 2012,
BAK basis voor actuele kunst, Utrecht
Guangzhou Triennial 2012: “The Unseen,” curated by Jiang Jiehong and Jonathan Watkins, September 28 – December 16, 2012, Guangzhou, China
Liverpool Biennial: “The Unexpected Guest,” September 15 – November 25, 2012, Cunard Building, Liverpool
“More Real? Art in the Age of Truthiness,” July 8, 2012 – January 6, 2013, SITE Santa Fe, Santa Fe, New Mexico
9th Shanghai Biennale, San Francisco Pavilion, curated by Chris Fitzpatrick, October 2, 2012 – March 31, 2013, Shanghai, China
“When Attitudes Became Form Become Attitudes,”
curated by Jens Hoffmann, September 13 – December 1, 2012,
Wattis Contemporary Art Center, San Francisco
Museum of Contemporary Art, Detroit in 2013
Will Rogan and Sara VanDerBeek
“Terrain Shift,” November 2, 2012 – February 2, 2012,
The Lumber Room, Portland, OR
2012 Smithsonian Contemporary Artist Award Nominee
October 31 – November 24, 2012, Fondazione Memmo, Rome
“The Third Person,” December 2012, ARTES, Lisbon, Portugal
September 20, 2012
Will Rogan artist talk at Wattis Institute
Wednesday, October 17, 7:00 pm, Wattis Institute,
San Francisco, CA
August 2, 2012
Trevor Paglen on Artforum Critics’ Picks
“Image Counter Image,” June 10 – September 16, 2012,
Haus der Kunst, Munich, Germany
July 25, 2012
Nate Boyce at San Francisco Film Society
July 28 – August 11, 2012, San Francisco Film Society,
San Francisco, CA
July 12, 2012
Trevor Paglen’s The Last Pictures is going to Outer Space this fall
Commissioned and presented by Creative Time, New York, NY
June 26, 2012
Chris Johanson and Matt Keegan at Josée Bienvenu
“Yeah we friends and shit,” June 28 – September 8, 2012, Josée Bienvenu Gallery, New York, NY
June 5, 2012
Altman Siegel wins Alice Award 2012
“Best Emerging Private Gallery,” 1st Annual Alice Awards: Artistic Landmarks in Contemporary Experience
May 25, 2012
Chris Johanson at Louisana Museum of Modern Art
“Pink Caviar,” May 24 – August 19, 2012, Louisana Museum of Modern Art, Denmark
May 10, 2012
Emily Wardill at National Gallery of Denmark
May 11 – September 16, 2012, National Gallery of Denmark, Copenhagen
Chris Johanson and Will Rogan at Luggage Store
“Streetopia,” curated by Erick Lyle, Chris Johanson and Kal Spelletich, May 18 – June 23, 2012, Luggage Store,
May 3, 2012
Liam Everett at Wattis Institute
“K,” curated by Juan A. Gaitán, May 31 – June 30, 2012, Wattis Institute, San Francisco, CA
Matt Keegan at Michèle Didier
“==”, May 12 – June 30, 2012, Michèle Didier, Paris
April 20, 2012
Trevor Paglen at Adam Art Gallery
“Dark Sky,” curated by Geoffrey Batchen with Christina Barton, May 1 – July 8, 2012, Adam Art Gallery, Victoria University of Wellington, New Zealand
April 18, 2012
Emily Wardill at Serpentine Gallery
“Fulll Firearms,” Screening April 26, 2012
April 12, 2012
Shannon Ebner Dia Web Project
“Language is Wild,” Launching April 12, 2012
April 3, 2012
Trevor Paglen at Haus der Kunst
“Image-Counter-Image,” June 10 – September 16, 2012, Haus der Kunst, Munich, Germany
March 23, 2012
Will Rogan at Objectif Exhibitions
“Curtain,” curated by Chris Fitzpatrick, April 21 – June 9, 2012, Objectif Exhibitions, Antwerp, Belgium
February 21, 2012
Garth Weiser at LAND
“Nothing Beside Remains,” curated by Shamim Momin,
December 10, 2011 – March 10, 2012, Los Angeles Nomadic Division (LAND), Marfa, TX
February 8, 2012
Shinpei Kusanagi Exhibitions
“Fuyu no Tabi,” curated by Jeffrey Rosen, February 13 – April 23, 2012, Shane Campbell Gallery, Chicago, IL
“Pandemonium,” February 11 – March 3, 2012, XYZ collective, Tokyo, Japan
February 3, 2012
Nate Boyce at IMO Projects
February 4 – March 17, 2012, IMO, Copenhagen, Denmark
January 21, 2012
Emily Wardill at FRAC Champagne-Ardenne
“The Hands Of A Clock, Even When Out Of Order, Must Know And Let The Dumbest Little Watch Know Where They Stand, Otherwise Neither Is A Dial But Only A White Face With A Trick Mustache”
February 3 – April 22, 2012, curated by Florence Derieux, FRAC Champagne-Ardenne, Rheims, France
January 10, 2012
Emily Wardill at Badischer Kunstverein
“Fulll Firearms,” January 27 – April 4, 2012, Badischer Kunstverein, Karlsruhe, Germany
December 15, 2011
Nate Boyce performing at MOMA and featured in Modern Painters
Modern Painters, “100 Artists to Watch,” December 2011
“Reliquary House: An Evening with Oneohtrix Point Never
and Nate Boyce,” Saturday, December 17, 2011, Museum of Modern Art, New York, NY
December 10, 2011
Emily Wardill featured in Afterall
“Circuits and Subterfuge: Emily Wardill and the Body Imaginary,” by Melissa Gronlund
“The Allegorical Impulse, Revisited: Emily Wardill, in Fragments,” by Dieter Roelstraete
Afterall, Issue 28, Autumn/Winter 2011
Matt Keegan, Trevor Paglen, Sara VanDerBeek, and Emily Wardill featured in Artforum Best of 2011
Trevor Paglen listed as Artforum.com Best of 2011 Critic’s Pick
December 3, 2011
Trevor Paglen interview in October
“Negative Dialectics in the Google Era: A Conversation with Trevor Paglen,” with Julian Stallabrass, October, Fall 2011
December 2, 2011
Shannon Ebner Exhibitions
“September 11,” September 11, 2011 – January 9, 2012, curated by Peter Eleey, MoMA PS1, Long Island City, NY
“Ecstatic Alphabets,” May 6 – August 27, 2012, curated by Laura Hoptman, The Museum of Modern Art, New York, NY
Dia Art Foundation, Spring 2012, Artists’ Web Project
October 18, 2011
Trevor Paglen at Arts Santa Mónica
October 14, 2011 – March 4, 2012
October 11, 2011
Garth Weiser in Art in America
Will Rogan at Art In General
“Walking Forward-Running Past”
September 23 – December 10, 2011
October 7, 2011
Will Rogan at San Francisco Museum of Modern Art
December 9, 2011 – April 3, 2012
Emily Wardill at Contemporary Art Museum
September 9, 2011 – December 30, 2011
October 6, 2011
Chris Johanson Exhibition and Performance
“Le Printemps de Septembre: Another World,” Curated by
Anne Pontégnie, September 23 – December 17, 2011,
SECA Awards 50th Anniversary Reception, March 15, 2012,
San Francisco Museum of Modern Art
Chris Johanson will be curating music for the event, including a performance by the artist’s band Sun Foot
Matt Keegan Exhibitions
“Found in Translation,” January 28 – April 9, 2012, Deutsche Guggenheim, Berlin, Germany
“Circulate,” November 4 – December 7, 2011,
Fotografie Museum Amsterdam, The Netherlands
“Short Stories,” November 12 – December 4, 2011, SculptureCenter, Long Island City, NY
“The Air We Breathe,” November 05, 2011 – February 20, 2012, San Francisco Museum of Modern Art
“Exposure: Matt Keegan, Katie Paterson, Heather Rasmussen,” September 3, 2011 – March 4, 2012,
The Art Institute of Chicago
October 5, 2011
Chris Johanson at Malmo Konsthall
September 10 – November 27, 2011
Sara VanDerBeek at the Hammer Museum,
September 10, 2011 – January 8, 2012
Shannon Ebner at the Hammer Museum,
July 16 – October 9, 2011
May 6, 2011
Trevor Paglen featured on the cover of Artforum, May 2011
Open Secret: The work of art between disclosure and redaction
by Pamela M. Lee
Trevor Paglen is a recipient of the 2011-2012 Smithsonian Artist Research Fellow Grant
Trevor Paglen in After the Gold Rush:
photographs from the collection
Metropolitan Museum of Art, NY
March 22, 2011 – January 2, 2012
The exhibition’s title, After the Gold Rush, is taken from a classic 1970 song by Neil Young, whose verses contrast a romanticized past with a present of squandered plenty and an uncertain future. Inspired by the recent political and economic upheavals in America and abroad, this selection juxtaposes new photographs that take the long view of the world’s current condition with prescient works from the 1980s and 1990s that remain startlingly relevant today… PRESS RELEASE
Trevor Paglen exhibition at Vienna Secession reviewed in Frieze, May 2011
New Exhibition Catalogue from Secession available
Images of the Black World
with essay by Brian Holmes
Trevor Paglen featured in Art Review Future Greats, March 2011
Shannon Ebner upcoming solo project at the Hammer Museum in collaboration with LAX Art
Los Angeles, CA
Altman Siegel to exhibit at Liste 16
Featuring new work by Shannon Ebner, Emily Wardill,
Will Rogan and Devin Leonardi
June 13-19, 2011
Chris Johanson featured in Art Parcours
Art Basel 42, curated by Jens Hoffman, June 15-19, 2011, Basel, Switzerland
Shinpei Kusanagi solo show at
Tokyo Opera City Art Gallery
April 9 – June 16, 2011, Tokyo, Japan
Matt Keegan in Frieze Focus
“Historical, social and political questions: ‘how did we get here?'” by Naomi Fry
Frieze Magazine, May 2011
Matt Keegan and Sara VanDerBeek in
The Anxiety of Photography
May 13 – July 17, 2011, Aspen Art Museum
March 10, 2011
Will Rogan at the Luggage Store Gallery
“BULLET TRAIN LA/SF Round Tripp,” curated by Ruby Neri and Julia Leonard, March 12 – April 16, 2011
February 12, 2011
Shannon Ebner and Emily Wardill to be included in the 54th Venice Biennale
“Illuminations,” curated by Bice Curiger, June 4 – November 27, 2011, Arsenale, Venice, Italy
Matt Keegan at D’Amelio Terras
April 23 – June 04, 2011
Devin Leonardi at Broadway 1602
Garth Weiser at Casey Kaplan
May 10 – June 25, 2011
November 26, 2010
Trevor Paglen at Kunsthall Oslo
November 6th-December 3rd 2010
Kunsthall Oslo, Trelastgata 3, 0191 Oslo
Please join us for the opening on Friday
November 5th at 7pm
Marte Eknas – Overlay
Trevor Paglen – The Other Night Sky
Mierle Laderman Ukeles – Hartford Wash
Dziga Vertov – Kino Pravda
October 26, 2010
Will Rogan in Artforum, November 2010
Will Rogan’s “Stay Home” at Altman Siegel by Franklin Melendez. Download the article here.
Emily Wardill nominated for Futures Generation Art Prize
On October 30 the PinchukArtCentre presents a group show of the 21 shortlisted artists for the Future Generation Art Prize
The PinchukArtCentre has the honour to present an exhibition of the 21 artists shortlisted for the Future Generation Art Prize 2010. The group show features works submitted for the competition as well as brand new works specially made for the show. It will open on October 30 and will last till January 9, 2011…
An international jury will chose and announce the winner of the main prize on December 10, 2010 in Kiev. The jury includes Daniel Birnbaum (Sweden), Okwui Enwezor (Nigeria), Yuko Hasegawa (Japan), Ivo Mesquita (Brazil), Eckhard Schneider (Germany), Robert Storr (USA) and Ai Weiwei (China). The winner will receive a generous prize of $60,000 in cash and $40,000 to be invested in the production of new work…
Will Rogan at Laurel Gitlen, New York
October 29 – December 19, 2010
October 5, 2010
Emily Wardill Wins Jarman Award
Film London and Channel 4 in association with the UK’s Whitechapel Gallery have announced that the winner of this year’s Jarman Award is Emily Wardill.
Wardill was announced as the winner of the award at an event at the Whitechapel on Tuesday, October 5, following screenings of work by Wardill and the other 2010 shortlisted artists Spartacus Chetwynd, Ben Rivers, and Zineb Sedira.
Wardill receives a $15,900 cash prize and a broadcast commission to make four artworks for Channel 4’s Three Minute Wonder strand. The rest of the shortlist receive $1,600 each. This year’s jury included: John Akomfrah, filmmaker; Iwona Blazwick, director of the Whitechapel Gallery; Avi Grewal of Channel 4 documentaries; Mark Rappolt, editor of ArtReview; artist Gillian Wearing; and Stuart Comer, film curator at Tate Modern.
Matt Keegan solo show at Neon Parc, Melbourne
The Story of a Window
Matt Keegan and Dane Mitchell
October 20 – November 20, 2010
September 24, 2010
Sara VanDerBeek in The New York Times, September 19 2010
Feature article by Carol Kino: Putting Memories to New Use
September 7, 2010
Emily Wardill featured on the cover of Frieze Magazine, September 2010
With feature article by Jennifer Higgie: Chaos Theory
Sara VanDerBeek solo show at the Whitney Museum
Curated by Tina Kukielski
September 17, 2010 – December 5, 2010
Sara VanDerBeek’s quiet semi-abstract photographs are based predominantly on sculptural forms created by the artist. In the past, she has collected pictures from various sources, including art history books, archives, magazines, and newspapers, incorporating them into sculptures that are made only to be photographed in the artist’s studio. (After being photographed, the sculptures are immediately dismantled, and VanDerBeek’s pictures provide the only remaining evidence of the temporary structure.) In her work on view in this exhibition, VanDerBeek continues this practice, yet she couples it with ventures outside the studio to explore the subtle perceptual shifts of the sun…
Chris Johanson: Backwards Towards Forwards
September 10 – October 16, 2010
Solo exhibition Kavi Gupta, Chicago
The Color of Black & White: Curated by Chris Johanson
September 10 – October 16, 2010
Julia Asherman, Gary Groves, Dave Schubert, Masao Yamamoto at Kavi Gupta, Chicago
This exhibition celebrates the beauty of and between black and white. Sometimes when the palette is reduced a vibrant emotional spectrum emerges… PRESS RELEASE
Matt Keegan and Sara VanDerBeek featured in Image Transfer
Curated by Sara Krajewski
Henry Art Gallery, Seattle
October 2, 2010 – January 23, 2011
This exhibition spotlights evolving attitudes toward the appropriation, recuperation, and repurposing of extant photographic imagery. Artists, as both producers and consumers in today’s vast image economy, freely adopt and adapt materials from myriad sources. Images culled from the Internet, magazines, newspapers, advertisements, television, films, personal and public archives, studio walls, and from other works of art are all fair game. Image Transfer brings together artists who divert commonplace, even ubiquitous, visual materials into new territories of formal and idiomatic expression.
Featured artists: Sean Dack, Karl Haendel, Jordan Kantor, Matt Keegan, Carter Mull, Lisa Oppenheim, Marlo Pascual, Amanda Ross-Ho, Sara VanDerBeek, Siebren Versteeg, Erika Vogt, Kelley Walker
Devin Leonardi now works with Broadway 1602, New York
Broadway 1602 is pleased to announce the addition of Devin Leonardi to their gallery program and will be exhibiting his work at the Frieze Art Fair and Fiac. An upcoming exhibition is planned for February, 2011.
Shannon Ebner at the Frieze Art Fair
October 14 – 17, 2010
Shannon Ebner will create two new projects for the upcoming Frieze Art Fair.
Frieze Projects a collaborative installation with Dexter Sinister
Frieze Frame “Agitate” Solo Booth with Altman Siegel [R8]
Shannon Ebner at Kaufmann Repetto, Milan
October 10, 2010
Francesca Kaufman will open her new exhibition space at Via di Porta Tenaglia 7, Milan, with an exhibition featuring Shannon Ebner and Thea Djordjadze.
Trevor Paglen featured in Free
at The New Museum, New York
Curated by Lauren Cornell
October 20, 2010 – January 23, 2011
Today, culture is more dispersed than ever before. The web has broadened both the quantity and kind of information freely available. It has distributed our collective experience across geographic locations; opened up a new set of creative possibilities; and, coextensively, produced a set of challenges. This fall, the New Museum will present “Free,” an exhibition including twenty-three artists working across mediums-including video, installation, sculpture, photography, the internet, and sound -that reflects artistic strategies that have emerged in a radically democratized landscape redefined by the impact of the web…
Trevor Paglen solo show at Vienna Secession
November 26, 2010 – January 2011
Trevor Paglen’s works offer complex cartographies of US military policy. Using extensive series of photographs, often in large format, he reveals military machinations that are kept hidden from public view…
Will Rogan included in the 2010 Califonia Biennial
Curated by Sarah Bancroft
October 24, 2010 – March 13, 2011
The Orange County Museum of Art today announced the artists participating in the upcoming 2010 California Biennial. The Biennial exhibitions are a cornerstone of OCMA’s program and highly anticipated by art enthusiasts and the art world alike. The biennial exhibition continues OCMA’s four-decade history of presenting new developments in contemporary art and identifying new talent on the verge of national and international recognition…
Emily Wardill solo show at the MIT List Visual Arts Center
Curated by Joao Ribas
October 22, 2010 – January 2, 2011
The MIT List Visual Arts Center is pleased to announce Emily Wardill: Gamekeepers without Game, the first U.S. museum presentation of the work of British artist Emily Wardill. The exhibition will consist of Wardill’s recent feature length film Gamekeepers without Game (2009), as well as screenings of two of the artist’s 16mm films, Ben (2007) and Sick Serena and Dregs and Wreck and Wreck (2007)…
Emily Wardill “windows broken, break, broke together”
De Appel Museum, Amsterdam
September 18 – November 28, 2010
Opening Friday September 17, from 6 pm onwards Structured around an ongoing dialogue between British artist Emily Wardill and artist/curator Ian White, the solo exhibition “windows broken, break, broke together” is the most extensive exhibition of Wardill’s films to date. Described as ‘brilliant cinematic labyrinths. Visually striking and playfully rigorous’ the films occupy wildly different stylistic positions as a means of re-animating the ways in which form can become the unquestioned carrier of meaning – by the way in which meaning is implied through metaphor or example, inscribed by case studies, fictionalized in props or interpreted in art criticism, status symbols and as the evidence of crime …
We are behind by Emily Wardill & Ian White
This publication is launched as part of Emily Wardill’s exhibition “windows broken, break, broke together” at de Appel Arts Centre, Amsterdam, 17 September – 28 November 2010. In the beginning, middle and end of the exhibition Emily Wardill and Ian White will give Public Lectures that are conceived as a triptych evolving around essential themes in Wardill’s work. This triptych is the structure on which this book is built…
Garth Weiser at White Flag Projects
White Flag Projects, St. Louis, MO
September 11 – October 23, 2010
Garth Weiser is best known for his highly graphic paintings that compress the vocabulary of abstraction into dense pastiches of history and technique. For his exhibition at White Flag Projects, Weiser presents three paintings of differing form, each emphasizing their discrete intentionalities and temporal relationships to their substrates and mediums. The works include Wall Painting for White Flag Projects, a temporary mural which occupies the gallery’s largest wall; a second painting rendered in water-soluble media on the exterior of the gallery; and an installation of 150 pages torn from I wouldn’t have worn mascara if I knew I was going to be taking a trip down memory lane, an artists book reproducing Weiser’s 2008 painting of the same title…
Invisible: Covert Operations and Classified Landscapes Trevor Paglen’s first photographic monograph
With essay by Rebecca Solnit
Published by Aperture, NY
Social scientist, artist, writer, and provocateur, Paglen has been exploring the secret activities of the U.S. military and intelligence agencies-the “black world”-for the last eight years, publishing, speaking, and making astonishing photographs…
Why Not 100 Faces by Chris Johanson
Cherry Sprout Produce Market, Portland, OR
Shannon Ebner featured in Rencontres d’Arles Discovery Award 2010
Curated by Hans Ulrich Obrist
July 3 – September 19, 2010
Arles, France traveling to Garage Center for Contemporary Culture from 22th October 2010 to 6th February 2011.
Shannon Ebner featured in the 6th Berlin Biennial For Contemporary Art
“What is Waiting out There”
Curated by Kathrin Rhomberg
June 11 – August 8, 2010
KW Institute for Contemporary Art
Chris Johanson is now represented by Altman Siegel Gallery
For more information and available work email firstname.lastname@example.org
Shannon Ebner on the cover of Artforum
April, 2010 issue of Artforum features Shannon Ebner’s photograph Erratum Cum Laude on the cover with a feature article, Concrete Poetry: The Art of Shannon Ebner by Tom McDonough. P. 148.
For complete article:
March 1, 2009
The Sun as Error by Shannon Ebner
The Los Angeles based artist Shannon Ebner extends her exploration of photography, sculpture and language in this remarkable book, The Sun as Error. In collaboration with Dexter Sinister (design duo David Reinfurt and Stuart Bailey), The Sun as Error re-investigates the meaning and language of photographs, creating both an open-ended reading of her practice and also rethinking the idea of an artist’s monograph. Far from straightforward, the book interweaves her bodies of work, previously unseen one-off pieces, with the language of technical diagrams, optical illusions, and graphic design. One of the persistent motifs through the book’s sequence is an asterisk and, specifically, one imbued with the legacy of the graphic designer Muriel Cooper. As the first design director for MIT Press and the cofounder of the Visible Language Workshop, Cooper’s legacy for reorienting and repositioning the direction of an artist’s monograph is imaginatively explored in the creative partnership of Dexter Sinister and Shannon Ebner. Artist’s book published by The Los Angeles County Museum of Art, Department of Photography, and co-ordinated by Dexter Sinister, New York. Distributed by RAM publications.
To order email email@example.com