From Counterculture to Cyberculture curated by David Lewis: Lucy Dodd, Alex Mackin Dolan, Dawn Kasper, Israel Lund, Jared Madere, K.R.M. Mooney, Trevor Paglen, Sean Paul and Bruce Conner
Installation view
This exhibition is inspired by, and named in honor of, Fred Turner's important history, From Counterculture to Cyberculture.
The exhibition is not, however, a literal history. Rather: it extrapolates from Turner's historical arc in order to present a matrix of contemporary concerns, and emerging artists whose ways of thinking are enmeshed in those concerns. From Turner's research it develops a historical conceit for art-making in the present. A web of possibilities.
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From Counterculture to Cyberculture, 2017
Installation view -
Sean Paul
Doomsday Watch, 1974; 2017
Ultraviolet-curable pigmented ink and acrylic on polyester/polymide35 x 18 1/2 in
88.9 x 47 cm -
From Counterculture to Cyberculture, 2017
Installation view -
Jared Madere
To be titled (Matter Harmonic Topiary), 2016/2017
Glyph: nail polish, glitter, ink, burns on paper
Sculpture: sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt
Glyph: 13 x 9 in
33 x 22.9 cm
Sculpture: 120 x 120 x 12 in
304.8 x 304.8 x 30.5 cm (dimensions variable with each manifestation) -
Jared Madere
To be titled (Matter Harmonic Topiary), 2016/2017
Glyph: nail polish, glitter, ink, burns on paper
Sculpture: sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt
Glyph: 13 x 9 in
33 x 22.9 cm
Sculpture: 120 x 120 x 12 in
304.8 x 304.8 x 30.5 cm (dimensions variable with each manifestation) -
Jared Madere
To be titled (Matter Harmonic Topiary) (detail), 2016/2017
Glyph: nail polish, glitter, ink, burns on paper
Sculpture: sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt
Glyph: 13 x 9 in
33 x 22.9 cm
Sculpture: 120 x 120 x 12 in
304.8 x 304.8 x 30.5 cm (dimensions variable with each manifestation) -
Jared Madere
To be titled (Matter Harmonic Topiary) (detail), 2016/2017
Glyph: nail polish, glitter, ink, burns on paper
Sculpture: sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt
Glyph: 13 x 9 in
33 x 22.9 cm
Sculpture: 120 x 120 x 12 in
304.8 x 304.8 x 30.5 cm (dimensions variable with each manifestation) -
Jared Madere
To be titled (Matter Harmonic Topiary), 2016/2017
Glyph: nail polish, glitter, ink, burns on paper
Sculpture: sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt
Glyph: 13 x 9 in
33 x 22.9 cm
Sculpture: 120 x 120 x 12 in
304.8 x 304.8 x 30.5 cm (dimensions variable with each manifestation) -
Bruce Conner
Christ Casting Out the Legion of Devils, 1987/2003
Belgian jacquard tapestry104 x 115 in
264.2 x 292.1 cm -
From Counterculture to Cyberculture, 2017
Installation view -
From Counterculture to Cyberculture, 2017
Installation view -
Lucy Dodd
Lady Long Gone, 2016
Dye on cotton on metal chair frame34 x 36 x 36 in
86.4 x 91.4 x 91.4 cm -
From Counterculture to Cyberculture, 2017
Installation view -
Lucy Dodd
Beyond Blind (1981 1⁄2), 2013
Foss leaf extract, sumac extract, black lichen, yerba maté, graphite, Bub's urine,
anatto, and mixed pigments on canvas117 x 117 in
297.2 x 297.2 cm -
Dawn Kasper
UH yes, UH no, 2014/2017
Mackie active speaker, ipod shuffle, snare drum, stand, bells, incense36 x 16 x 16 in
91.4 x 40.6 x 40.6 cm -
Dawn Kasper
UH yes, UH no (detail), 2014/2017
Mackie active speaker, ipod shuffle, snare drum, stand, bells, incense36 x 16 x 16 in
91.4 x 40.6 x 40.6 cm -
From Counterculture to Cyberculture, 2017
Installation view -
Israel Lund
Untitled, 2017
Acrylic on raw canvas88 x 68 in
223.5 x 172.7 cm -
From Counterculture to Cyberculture, 2017
Installation view -
From Counterculture to Cyberculture, 2017
Installation view -
From Counterculture to Cyberculture, 2017
Installation view -
K.R.M. Mooney
Joan Green, Bimetal IV, 2017
steel conduit, linear fluorescent, polyurethane fitting, electrical splicing ribbon, fluval tank heater,
cast lavender, silver, steel binding wire112 x 12 x 12 in
284.5 x 30.5 x 30.5 cm -
K.R.M. Mooney
Joan Green, Bimetal IV (detail), 2017
steel conduit, linear fluorescent, polyurethane fitting, electrical splicing ribbon, fluval tank heater,
cast lavender, silver, steel binding wire112 x 12 x 12 in
284.5 x 30.5 x 30.5 cm -
Alex Mackin Dolan
Korut Courtyard Cabinet (Bad R.N.G. TWIN Version), 2017
Wood, synthetic polymer paint, plexiglass, archival inkjet prints54 x 30 3/4 x 9 1/8 in
137.2 x 78.1 x 22.9 cm -
From Counterculture to Cyberculture, 2017
Installation view -
Sean Paul
Dawn, 0.053 SEC., 2017
Ultraviolet-curable pigmented ink and acrylic on polyester/polymide60 x 114 in
152.4 x 289.6 cm -
From Counterculture to Cyberculture, 2017
Installation view -
Trevor Paglen
The Last Pictures (Construction of Hoover Dam; The Wow! Signal), 2012
Two gelatin silver prints24 x 32 in
60.96 x 81.28 cm -
Trevor Paglen
The Last Pictures (Construction of Hoover Dam; The Wow! Signal), 2012
Two gelatin silver prints24 x 32 in
60.96 x 81.28 cm -
Dawn Kasper
UH, YES UH, NO, 2014
Oil on canvas127 x 103 in
322.6 x 261.6 cm -
From Counterculture to Cyberculture, 2017
Installation view -
Bruce Conner
Untitled, 1975
Oil on canvas20 x 20 in
50.8 x 50.8 cm -
Bruce Conner
Untitled, 1975
Oil on canvas20 x 20 in
50.8 x 50.8 cm
